Julie Strain as Marilyn Monroe
One of the latest additions to my From My Collections (Cultural & Erotic) gallery is a pair of trading cards from the 1999 Julie Strain’s Marilyn 2000 series.
I picked them up a few months ago, but they found their way back to the front of my mind after all the Marilyn Monroe activity here in Palm Springs surrounding what would have been her 100th birthday.
Between the exhibits, celebrations, and the world-record gathering of people dressed as Marilyn that I photographed downtown, Marilyn seemed to be everywhere.
Produced by Comic Images in 1999, the series featured Julie Strain portraying Marilyn Monroe in photographs by Benjamin Hoffman.
If you were around glamour photography, magazines, or collectible cards during the 1990s, chances are you knew who Julie Strain was. A Penthouse Pet of the Year, actress, and model, she became one of the most recognizable glamour figures of the decade and appeared in everything from magazines and calendars to comic-book related projects and trading card sets like this one.
The card shown here is number 70 from the set.
The front contains a cropped version of the image along with the card number and caption. Turn it over and the entire photograph appears on the reverse along with the photographer credit, copyright information, and publisher details.
Trading cards are usually associated with sports, movies, television shows, or comic books. By the late 1990s, however, publishers were producing collectible card sets devoted to everything from fantasy art to glamour photography. Apparently someone decided Marilyn Monroe belonged in that world as well.
You’ll find both this card and card #20 from the Julie Strain’s Marilyn 2000 series, along with other photographs, slides, postcards, magazines, and collectible artifacts, here in From My Collections (Cultural & Erotic)
Mia Ciccero – Nude World Order / Sin City, 1997
Sometimes the tiniest pieces of film tell the biggest stories.
What first caught my attention with this 35 mm slide wasn’t the naked woman — it was the scene and colors. The red, white, and blue ropes of the boxing ring, the warmth of the background light, and the way the entire composition feels both cinematic and spontaneous. It’s a study in design and energy, the kind of photograph that could hang in a gallery just as easily as it once passed through a studio publicity office.
The mount reads “Nude World Order / Sin City — Mia Ciccero,” embossed DEC 97, with “film processing by A&I Color” — one of Hollywood’s premier labs of that era. The reference ties it directly to Sin City Video, whose 1998 release Nude World Order played with wrestling themes and parody, mixing showmanship and erotic spectacle.
Actress and model Mia Ciccero (also credited as Mia Cicero and Mia Ciccerrio) appeared in several of these late-’90s productions that merged performance with style. And honestly, if this same photograph had been shot with her wearing designer shorts for a fashion spread, it would have been called pornochic — Helmut Newton or early Versace in tone. It’s that close to the cultural line between eroticism and high art.
Looking at it now, it’s less about provocation and more about time — the colors, the confidence, and the way photography could once straddle both worlds without apology.
Part of my continuing effort to preserve not just images but the visual language of eras past, when film, performance, and fashion collided in unpredictable and unforgettable ways.
You can explore this and more originals from my archive in From My Collections (Cultural & Erotic) at https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/
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