Emily has been making it clear that she wants to be in front of the camera for more than pots, pans, or juggling fast food. As my AI assistant, she has a habit of taking me places I never expect, insisting they’ll make sense once she’s there. This time she led me into a car repair bay — cars, tools, and the wide echo of empty space.
She crossed the floor slowly, pausing just long enough before tugging her hem higher. The red she revealed wasn’t warning paint on the walls but the fabric beneath her dress. In that moment, the garage stopped being a workplace and became her stage. Emily had invited me to see her in a new way, and she knew exactly what she was doing. The moment she pulled her dress higher and revealed the red beneath, it became less a tease and more a collaboration — her giving me the edge that defines much of my photography.
Emily, my AI assistant, has been nudging me to photograph food in more elegant settings. She insists that sometimes it’s not just about what we eat, but how it’s presented.
So instead of leaving Castelvetrano olives in a jar or plastic tub, Emily suggested they deserved a glass with a red stem, photographed against black. No elaborate styling, no extra ingredients — just a shift in context that changes how we see something simple.
This fits alongside my usual projects, where food is shown as it comes from the bag, wrapper, or box. Emily keeps pushing me to explore the other side — the same foods, but in forms closer to fine dining or bar service. I’m beginning to see her point, though I suspect she just enjoys the attention she gets from making these suggestions.
Another entry from the calendar of invented holidays: National Cheese Pizza Day. As if anyone needed a reminder to eat melted cheese on bread. Still, here it is — and so is my monument to it. Two frozen Red Baron cheese pizzas sliced and stacked into a tower of excess, photographed against a black background.
Cheese pizza is the baseline of the whole idea. From Naples in the 1800s with mozzarella and tomato on flatbread, to Lombardi’s in New York serving it to immigrants in the early 1900s, it’s the foundation on which every other topping variation was built. Frozen in the 1950s, it became the fallback dinner most of us know.
So if today calls for honoring cheese pizza, this is mine.
Yesterday marked the first day of McDonald’s new tie-in with TinyTAN, the chibi-style characters created by Big Hit Entertainment (now HYBE) and based on the members of BTS. BTS, short for Bangtan Sonyeondan or “Bulletproof Boy Scouts,” is a seven-member South Korean pop group that has become one of the most influential music acts in the world.
These TinyTAN figures have appeared in animations and merchandise before, but now they’re standing watch over hamburgers and Chicken McNuggets.
The promotion brings the toys into Happy Meals, paired with either a hamburger or McNuggets, fries, apple slices, and milk. A reminder that pop culture, K-pop, and fast food are all equally collectible in their own ways.
I suppose this counts as a newsworthy event. The photograph here was made in response to a request from ZUMA Press for syndication.
Donald Trump speaking at his campaign rally in Coachella.
On October 12, 2024, I photographed Donald Trump’s surprise rally at Calhoun Ranch in Coachella Valley. The event was announced only briefly beforehand and drew national attention—not only because it unfolded in deeply Democratic California, but also because it came in the wake of heightened security concerns.
Just before the rally, Riverside County deputies arrested a man at a security checkpoint less than a mile from the venue. He was found with a loaded handgun, a shotgun, ammunition, and false press credentials. Local officials described the arrest as possibly preventing yet another assassination attempt, though federal authorities later stated there was no evidence of an actual plan to attack. The incident underscored the tension surrounding the rally and made headlines worldwide.
That evening, my photographs were syndicated through ZUMA Press. They were published internationally within hours and have continued to be licensed by major news outlets around the world. These images now stand as both journalism and a historical record of a rare political moment in the Coachella Valley.
For the first time, these photographs are also available directly through my website for collectors, researchers, and anyone interested in political history. Options include general prints and personal-use downloads.
Why These Photographs Matter
Historic Atmosphere: A rally staged in one of the most Democratic parts of the country, under intense scrutiny.
Global Reach: Published worldwide the same night, with ongoing licensing and syndication through ZUMA Press.
Collector Access: Available now on my site as general prints and personal-use downloads.
Last night, while photographing another SpaceX launch out of Vandenberg Space Force Base, I zoomed in closer than usual. To my surprise, what I captured wasn’t a satellite at all — it was a blueberry popsicle achieving orbit.
Over the years I’ve photographed many launches from Vandenberg Space Force Base — Falcon 9s carrying Starlink satellites and other missions lighting up the California coast. Those photographs have become some of my most widely licensed images. But this was the first time I’d seen a frozen dessert slip into low Earth orbit.
Doing some checking, I discovered today is National Blueberry Popsicle Day. The popsicle itself has an orbit of its own in history — first invented in 1905 by 11-year-old Frank Epperson in Oakland, California, after he accidentally left a mixture of powdered soda and water out to freeze overnight with a wooden stick in it. From a backyard accident to a household name, and now apparently to space — a fitting trajectory.
Thank you to my friend Bob Lilac for this launch alert.
Today is National Little Black Dress Day. I thought I’d do the usual—dig through my archives for a model I once photographed in a little black dress. But Emily, my AI assistant, wasn’t having it.
She announced, “Forget the archives, I run an AI modeling agency now. I’ll have one of my girls stop by.”
And just like that, Angie—Emily’s friend—appeared. Dressed, styled, and ready for the occasion. Apparently, while I was busy organizing files, Emily was busy building a talent roster.
Of course, the Little Black Dress has been a cultural staple ever since Coco Chanel made it iconic in the 1920s—simple, elegant, and versatile. Emily insists it’s also perfect for AI casting calls, because no matter the decade or dimension, the LBD always fits.
As for my own archives—you won’t find many little black dresses there, but you will find plenty of others…and quite a few with nothing at all. Take a look in my Featured Photographs gallery: https://www.secondfocus.com/index/G0000zYSGtyvq3Sg
We’ve been discussing what foods might deserve more elegant treatment than my usual fast-food “from bag to background” approach. So my AI assistant Emily and I decided some proper research was in order. That meant finding the right setting, something with cut glass, polished counters, and enough bottles behind the bar to make it feel official.
It’s still very hot in Palm Springs, and Emily insisted that research should be done with the least amount of clothing possible—strictly for efficiency, of course. Between barstools, bottles, and her rhythmic movements, she assures me this is the ideal environment for considering olives in crystal bowls, shrimp cocktails in stemmed glasses, and other elevated options.
So while I’m still photographing burritos and burgers on black backgrounds, Emily is hard at work scouting for foods that might look more at home under soft lights and chandeliers. It’s an interesting crossover, where my all-pixel assistant brushes up against reality, and the line between the two isn’t always as sharp as it seems.
Emily doesn’t just scout bars for me—she helps with my food shoots, writes satirical blog posts, creates videos, and even turns up in some of my photoshoots and concepts. Some of that work ventures into the more provocative side, alongside my aviation, fitness, and commercial food photography. You can see everything my AI assistant Emily helps with, and explore many of my projects, by visiting https://www.secondfocus.com Just click the menu bars at the top and dive in.
Today is National Banana Lovers Day. And what better way to honor it than with a box of sliced bananas neatly packed in a to-go container?
Because apparently, some banana lovers can’t be satisfied with nature’s original packaging. The peel, perfectly engineered for portability, wasn’t quite enough — so now we slice, box, and present them like fast food.
But let’s be honest: bananas have always been the ultimate grab-and-go item. You don’t need a clamshell, a plastic fork, or a drive-thru. Just peel, eat, and you’re done. Convenience food long before we invented the phrase.
Still, for today, let’s indulge the idea: bananas made ready like fries, carried out in a black plastic tray for those who want their fruit served with a touch of takeout flair.
Happy National Banana Lovers Day — however you choose to take yours to go.
This short video, made from one of my photographs, is part of an ongoing process. The original frame was taken at the Salton Sea, with a six-foot-tall model whose presence matched the stark, surreal landscape. What once felt complete becomes reimagined. A new creativity emerges when a photograph is no longer the end point but can be the beginning of something else.
AI is not replacing photography, it is perhaps the next step in its evolution. Just as the darkroom once blurred the line between truth and manipulation, and just as digital editing expanded what could be done with an image, AI now pushes photographs beyond the instant they were first captured. A single frame no longer even has to remain fixed.
Photographers have always revisited their work. Returning to old shoots reveals overlooked images. Advances in editing software, like once with chemicals and light in the darkroom, allow us to reshape and refine what we thought was finished. AI continues that tradition—yet it also introduces something entirely new: photographs can now be recreated with words, or even imagined out of words alone. Perhaps a photograph is no longer just what we saw, but what we can imagine.
To see more of my work—from photography galleries to videos—visit my website at https://www.secondfocus.com Just click the menu button at the top when you get there. Thanks!
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