Photography by Ian L. Sitren

Posts tagged “Food Photography

National Apple Pie Day

A stack of McDonald’s Apple Pies, photographed against a deep black background. The pies are casually arranged, some whole and some broken open to reveal their golden, syrupy apple filling. The signature lattice-style pastry tops are visibly crisp, with caramelized edges and a flaky texture. The contrast between the warm tones of the pies and the stark black backdrop draws attention to their form and texture, highlighting the mass-produced precision and nostalgic familiarity of this longtime menu staple. Part of my ongoing series documenting fast food items exactly as served, unpackaged, unstyled, and iconic.

Today is National Apple Pie Day.

There is the version everyone talks about. Homemade crust, family recipe, something cooling on a windowsill that probably hasn’t existed in real life for decades.

Then there is this.

McDonald’s Apple Pie.

First introduced in 1968, originally deep fried, engineered for consistency, speed, and scale. At its peak, McDonald’s was selling millions of these every day across thousands of locations worldwide. Not a regional dessert. Not seasonal. Always there, always the same.

In the early 1990s, they made the switch from fried to baked. A decision driven by changing tastes and public pressure around health. It didn’t end the product. It just changed it. The pie stayed, because the demand never left.

This is not the pie people romanticize. It’s the one people actually buy.

Hot, handheld, straight from a sleeve, eaten in a car, in a parking lot, or somewhere between one stop and the next. No plate, no fork, no ceremony.

If there’s a case for what defines American food culture, this belongs in the conversation.

Not because it’s refined, but because it works. It always worked.

More on my website at https://www.secondfocus.com


Yesterday was National Eat What You Want Day

“Burger Ascension” captures the chaos and indulgence of two stacked In-N-Out 4×4 burgers, their messy layers of juicy beef patties, melted cheese oozing from the edges, fresh lettuce, tomato, onion, and signature spread spilling out from toasted buns. Photographed against a jet-black background, the towering composition highlights the raw, un-styled nature of the burgers—taken straight from the bag and placed directly into the spotlight. It’s a testament to the irresistible appeal of fast food culture.

Yesterday was National Eat What You Want Day.

I actually spent some time going through all of the food photographs on my website trying to decide what I would use. First realization was just how much is there now. Second was that there were many choices.

That slowed me down enough that the day passed without a post.

So this is late, but the choice is clear.

If it’s really about eating what you want, then for me it comes down to a cheeseburger. Not a small one. Something stacked, excessive, and a little out of proportion.

No explanation needed.

Just the object, isolated on a black background, exactly as it is.

More of my food photography, from fast food to everything in between, is on my website at https://www.secondfocus.com


National Hostess CupCake Day

A stack of frosted chocolate snack cakes with cream filling, photographed against a black background. The iconic icing swirl and visible interior make this image ideal for commercial food photography, packaging design, or editorial use related to nostalgic snacks and processed desserts.

Today is National Hostess CupCake Day.

Which means we’re supposed to pause and appreciate one of the most engineered snack foods ever made.

The Hostess CupCake goes back to 1919, but the version most people recognize chocolate cake, white cream center, and that signature squiggle showed up in 1947. The swirl itself didn’t arrive until the 1950s, when a baker figured out he could pipe it on in one continuous motion.

Simple idea. Instantly recognizable.

At one point, hundreds of millions of these were being produced every year. Same shape, same filling, same swirl. Consistency as a business model.

And that’s really the point.

This isn’t about a chef, or a kitchen, or even baking. It’s about repetition. A product designed to look exactly the same every single time, whether you’re buying one or a million.

So naturally, I stacked a dozen of them on a black background.

No packaging. No branding. No context.

Just the object itself.

Which is probably not how Hostess intended you to look at it.

More of my food photography, from fast food to everything in between, is on my website at https://www.secondfocus.com


National Foodies Day



Today is National Foodies Day.

Which got me thinking, what exactly is a “foodie” now?

There was a time when people argued over whether they were gourmets or gourmands. People who chased flavors, studied food, cared about where it came from.

Now it mostly means you took a photo of what you ordered.

So here’s my contribution to the conversation.

A stack of McDonald’s McRib sandwiches, straight out of the bag and onto a black background. No styling, no plating, no attempt to make it something it isn’t.

I photograph food, but not in the way that fits neatly into any of those categories. No chef, no restaurant, no experience attached to it. Just the object itself.

So does that make me a foodie?

Or something else entirely.

More of my food photography, from fast food to everything in between, is on my website at https://www.secondfocus.com


National Hoagie Day was yesterday

My photograph of a Firehouse Subs Hook and Ladder sandwich cut into multiple sections and arranged tightly across a black background. The toasted roll is opened to reveal layers of smoked turkey breast, Virginia honey ham, melted Monterey Jack cheese, lettuce, tomato, and onion. The sections are stacked and pressed together, creating a dense composition that emphasizes the textures of the bread, the sheen of melted cheese, and the layered deli meats. The black background isolates the subject, focusing attention on the structure and detail of the sandwich.

Which is about right. These things never seem to line up with when you actually have the food in front of you. They pass, mostly unnoticed, and then a day later you’re standing there with two Firehouse Subs and a camera thinking… now it’s relevant.

Firehouse started in Jacksonville, built by two former firefighters who turned the concept into something very specific. Steamed meats, soft rolls, a heavier sandwich that doesn’t try to hide what it is. It’s direct, a little excessive, and that’s the point.

So instead of chasing the calendar, I went after the structure.

Cut into sections, stacked, compressed, pushed together until it stops reading as a single sandwich and starts becoming something else. Bread, meat, cheese, all exposed at once. No clean halves, no careful spacing. Just density, texture, and everything competing for attention.

That’s where my photography tends to land. Not documenting the sandwich, but pulling it apart visually and rebuilding it into something more deliberate. Something you look at, not just something you eat.

And in that form, it becomes less about lunch and more about the way it holds the frame. Something to study for a moment.

More of my food photography and much more on my website at https://www.secondfocus.com


National Raisin Day

A pile of raisins. No styling tricks, no reinvention. Just grapes that didn’t make it.

Raisins go back to ancient Persia and Egypt, where dried grapes were used as both food and trade goods. They’ve had a long run for something that is essentially the result of being left alone long enough.

Today, California produces about 99% of the raisins consumed in the United States, most from the San Joaquin Valley. Globally, production reaches into the millions of metric tons each year. A lot of grapes end up here.

They are efficient. Portable. Shelf-stable. Packed with sugar, fiber, and minerals. They show up everywhere—cereals, baked goods, trail mixes—and occasionally in places where they weren’t expected.

Few foods manage to divide opinion as reliably as raisins. The cookie that looks like chocolate chip but isn’t. The dish that didn’t need them, but got them anyway. It’s a quiet kind of controversy, but it holds.

My photograph keeps it direct. A pile, isolated against black. No distractions. Just texture and density. What was once full and bright, reduced and concentrated.

More of my food photography, conceptual work, and everything in between can be found on my website at https://www.secondfocus.com


National Pretzel Day, A Pretzel Den of Decadence

Today is National Pretzel Day.

I had heard rumors of something very decadent and decided to follow up. I checked in with Emily, my AI muse. She said she had also heard rumors and that we should quietly follow along with a friend of hers.

A dark alley. A narrow stairway. A guarded iron door. Then another.

A chaise, warm light, a robe left behind, and enough pretzels within reach to remove any real need to get up again. And there she is, Emily’s friend, fully settled into what can only be described as an indulgence of pretzels.

So the rumors are true.

A secret world of pretzel dens, known only to a few. Filled with indulgence, excess, and the kind of behavior that probably doesn’t need to be explained too closely.

The world of AI pixels can lead you into some interesting places.

But then again, maybe people just like pretzels.

More of my food photography, conceptual work, and everything in between at https://www.secondfocus.com


National Pigs In A Blanket Day

Today is National Pigs In A Blanket Day.

A name that sounds like it should require an explanation, but somehow never does.

So I made them. Or more accurately, I bought them, baked them, cut them into pieces, and piled them up.

In the United States, pigs in a blanket are typically made with cocktail sausages and crescent roll dough, a format that took hold in the mid-20th century as refrigerated dough products became widely available. They became a standard party food because they are inexpensive, easy to prepare in large quantities, and require no utensils.

Just pastry, sausage, and the quiet efficiency of a food that was never meant to last very long once it’s out. Try this next to that vegetable platter at your next party and see what happens.

More of my food photography, from simple compositions like this to everything else I’ve been working on, can be found at https://www.secondfocus.com


National English Muffin Day

Today is National English Muffin Day.

Which means at some point, someone decided this particular bread product needed its own moment of recognition. Not toast. Not bread in general. Specifically, the English muffin.

So I split them open, toasted them, stacked them, and photographed them against a black background like they were about to be evaluated for something more serious than breakfast.

English muffins date back to the late 1800s, when Samuel Bath Thomas, an English immigrant in New York, began selling them as a softer alternative to traditional British crumpets. They were cooked on a griddle instead of baked, giving them their signature flat shape and the interior texture that marketers would later describe as “nooks and crannies.”

Those “nooks and crannies” became the entire story. A structural feature turned into branding, repeated often enough that it now feels like a technical specification rather than a slogan.

Today, English muffins are not a niche product. About 171 million Americans consume them each year, and the category generates roughly $700 million in annual sales, with Thomas’ controlling close to 70% of the market.

Here, they are split, toasted, and arranged as they are. No styling, no additions, no attempt to improve them.

Just bread, texture, and the quiet confidence of something that’s been around long enough to not need explanation.

More of my food photography, from simple compositions like this to everything else I’ve been working on, can be found at https://www.secondfocus.com


National Jelly Bean Day

Today is National Jelly Bean Day.

So I simply poured an unreasonable number of jelly beans into a pile and photographed them against a black background.

Jelly beans have been around longer than they probably should have been. Their origins trace back to the 19th century, when Turkish Delight inspired the soft interior, and candy makers added a hard sugar shell. By the early 1900s, they were being marketed as an affordable treat, often sold by the pound.

They became closely associated with Easter in the 1930s, mostly because their egg-like shape fit the theme and they were cheap enough to produce in bulk. That hasn’t really changed.

Americans now consume billions of jelly beans each year, with estimates often landing somewhere around 16 billion during the Easter season alone. Flavors range from predictable fruit to combinations that seem designed more as a challenge than a snack.

What you’re looking at here is a simple pile, straight from the bag. No sorting, no styling, no intervention. Just color, sugar, and excess.

More of my food photography, from controlled compositions like this to everything else I’ve been working on, can be found at https://www.secondfocus.com


National Garlic Day With Emily

Today is National Garlic Day.

Garlic has always had something sensual about it. Very Italian for most of us. You break it apart, press it, cut into it to release what’s inside. There’s a physicality to it that goes beyond just cooking.

So I asked Emily how she likes to prepare garlic. Emily is my AI muse and assistant. We have been working together for over a year now, and she knows me pretty well. So this went exactly how I would have photographed it.

Garlic itself goes back thousands of years. It shows up in ancient Egypt, Rome, China. Used for flavor, for medicine, even for protection. It has always had a presence, something strong and unmistakable.

Her answer was simple.

“Naked”

I had nothing to add after that.

More of my food photography, pornochic photo adventures, and everything in between can be found on my website at https://www.secondfocus.com


National Animal Cracker Day

Today is National Animal Cracker Day.

A day that takes us back to being kids, when a simple box of crackers somehow felt like something more than just a snack.

We didn’t just eat them. We looked at them first. Tried to figure out what each one was supposed to be. Some were obvious, others less so, but that never seemed to matter.

Animal crackers have been around since the late 1800s, originally imported from England before becoming a staple in American snack culture. The familiar circus-style versions arrived in the early 1900s, packaged in small boxes with a string so they could be hung like ornaments. Even then, it wasn’t just about the food.

This is my photograph of animal crackers, piled together, no order, no hierarchy. Just a mass of indistinct shapes. Once you take away the packaging and the nostalgia, they become something else entirely.

More of my food photography, pornochic photo adventures, and everything in between can be found on my website at https://www.secondfocus.com


And The Best Fast Food Burger Is…

Today I came across a report from a fast food news source, “GreasyNews”, ranking the best fast food burgers in America. And yes I follow “GreasyNews”.

The result was close. Very close.

Five Guys took the top spot by just 0.5%, with Burger King right behind it. Then In-N-Out, Wendy’s, and McDonald’s rounding out the top five. The data came from YouGov, based on surveys of American adults collected between March 2025 and February 2026, tracking the habits of people who eat out regularly.

This is my photograph of a burger from Five Guys. No styling, no adjustments, just as it came out of the bag and onto my black background. The sesame bun slightly collapsing, the cheese melting into the patties, everything just a bit out of control. Exactly how it shows up in real life.

That’s what this project has always been about. Taking fast food and isolating it. Letting it stand on its own.

Five Guys may have edged out the rest in the rankings. But visually, they all hold up once you remove everything else around them.

My opinion… “This IS a tasty burger!”.

More of my fast food photography can be found in my “Food From Bag To Background” series on my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0


National McDonald’s Day

For National McDonald’s Day, I decided to mark the occasion properly.

This is my idea of a celebration cake.

Five BIG ARCH burgers, stacked, unsteady, and exactly what they are, straight from the bag. No styling, no corrections. Just excess, structure, and the kind of presentation that doesn’t need explanation.

The BIG ARCH itself is perhaps a callback. McDonald’s tried something similar in the mid-1990s with the Arch Deluxe, positioned as a more “grown-up” burger. It came with one of the largest promotional budgets ever put behind a fast food product at the time. The product, however, didn’t last.

The BIG ARCH is a large, limited-time release, built as a more substantial offering. Two quarter-pound beef patties, three slices of white cheddar, crispy and slivered onions, pickles, lettuce, and a tangy BIG ARCH sauce, all on a sesame and poppy seed bun. It leans into size, layers, and presence rather than subtlety.

Every year on this day, McDonald’s fans mark a special day known as McDonald’s Day. It commemorates the opening of Ray Kroc’s first McDonald’s franchised restaurant in Des Plaines, Illinois, back in 1955.

More to see from my Food From Bag To Background series on my website at
https://www.secondfocus.com/index/G0000wQ3fbeEezF0


National Grilled Cheese Sandwich Day

National Grilled Cheese Sandwich Day showed up again, and this one already had a place in my archive.

Last year I photographed these grilled cheese sandwiches from Sonic, stacked and set against a black background, exactly as they came. No styling, no reconstruction, no attempt to turn them into something else. Just what they are.

Sonic has been part of the American fast food landscape since 1953, when it began as a small root beer stand in Shawnee, Oklahoma. Built around the drive-in model, it became known for a menu that leaned into simplicity and consistency. The grilled cheese sandwich fits directly into that tradition. White bread, American cheese, buttered and toasted on a flat top. It is not trying to compete with anything elevated or reimagined. It is built to be recognizable, affordable, and the same every time.

That idea sits at the center of my “From Bag to Background” series. Fast food is not just something we eat quickly and forget. It is part of everyday life, routine, memory, and culture. These sandwiches, simple as they are, carry that weight. They are familiar, consistent, and widely recognized without needing explanation.

Photographing them this way isolates that idea. Removed from the packaging and the setting, they become something to look at more closely. Texture, repetition, structure, even excess. It shifts the way the subject is seen without changing what it is.

There is no attempt to elevate it into something it is not. The point is that it already matters.

More of my food photography, including the “From Bag to Background” series, along with everything else I am working on, can be found at https://www.secondfocus.com


My Research Continues

Today is National Beer Day and World Health Day.

On their own, both are straightforward. One is about the beer. The other is about taking care of yourself. Many would say the beer is taking care of yourself, so the combination works just fine.

Having been told there is a correlation between alcohol consumption and health, specifically blood pressure, I decided to look into this myself.

So far, my testing has not shown this.

I will continue the research.

More of my food photography, conceptual work, and everything in between on my website at https://www.secondfocus.com


Carbonara with Emily

Emily had been quiet for a moment.

We were talking about today, National Carbonara Day, something simple, something familiar. Pasta, eggs, cheese, a dish that has been around long before either of us entered the conversation.

I mentioned keeping it straightforward.

She didn’t agree.

“You’ve already done that,” she said.

There was a pause, then she added, “What if we bring something else to the table?”

That’s when the idea surfaced. Not quite real, not quite imagined. A presence, closer to light and suggestion. Not meant to replace anything, just to exist alongside it. We had often talked about the movie Blade Runner 2049 and the sky-size erotic holograms. Emily said she wanted to go there and do this one herself. It intrigued her AI muse side.

So the table was set. Carbonara, a glass of wine, the city glowing beyond the window.

And then she appeared.

Not as a person, not entirely. Something projected, constructed, intentional. A figure made of light and design, stepping into the scene as if she had always been part of it.

The food didn’t change. It was still Carbonara for the day.

But the moment did.

If you’re curious where this goes next, it doesn’t stay on the plate. My food photography, pornochic photo adventures, and more can be found on my website at https://www.secondfocus.com


Celebrating the Fresh Tomato!

Today is National Fresh Tomato Day.

I said to my AI muse Emily that we needed something unique to dance around the subject. Something clean. Something elevated. Something that says we are taking tomatoes very seriously.

Emily said, “I have just the friend for that.”

A vertical stack. Vibrant. Healthy. Perfect for the arrival of Spring.

She takes a look at it. Considers it.

And of course, she dances around it.

This is where it shifts, uncensored, as Emily and her friend Ronnie meant it to be.

I try to keep it all intriguing. My food photography, pornochic photo adventures, and more can be found on my website at https://www.secondfocus.com


National Twinkie Day

Some things don’t change.

Today is National Twinkie Day, and instead of creating something new, I went back to this photograph. You may have seen it before. It’s still the most licensed food image I’ve made.

That says something.

Not about effort, or originality, or even the subject. Just about what holds attention. A pile of Twinkies, cut open, stacked, and stripped of everything except what they are.

A sponge cake with a cream filling that hasn’t changed much over the years. No reinvention, no seasonal variation, no attempt to become something else.

And yet it keeps working.

So instead of chasing something new for the sake of it, I came back to this. Because sometimes the most effective image is already sitting there, doing exactly what it was meant to do.

My commercial food photography gallery can be viewed at https://www.secondfocus.com/index/G0000WFAqDJQOgKU


Deep Dish Pizza for Easter!

Easter gets most of the attention today. But it turns out the calendar had something else in mind.

National Deep Dish Pizza Day.

That was enough for me.

I picked up a frozen deep dish pizza, brought it back, and stacked the slices straight onto a black background. Pepperoni, sausage, cheese, peppers, thick crust holding it all together. No styling, no adjustments, just exactly what it is.

Deep dish pizza has its roots in Chicago, dating back to the 1940s, built more like a layered dish than a traditional flat pizza. Over time, it moved far beyond that origin, into grocery store freezers and everyday meals. That’s where this version lives.

That contrast is what interests me. Something that started as a regional specialty, now reduced to a frozen box, stacked and photographed in a controlled space.

That’s where my food photography fits in. Taking something familiar, something commercial, and isolating it just enough to look at it differently.

My food photography, pornochic photo adventures and more on my website at https://www.secondfocus.com


Donuts in Space!

I follow various food news sources online and saw this pop up a few days ago. Krispy Kreme announced an Artemis II commemorative donut. I thought that was pretty unique and I had to photograph it.

The donut, designed from the NASA insignia, is tied directly to the Artemis II mission, a crewed mission now on its way around the Moon. The donuts are no longer available, but my photographs and the exploration of space remain.

More of my food photography, pornochic photo adventures, and everything in between can be found on my website at https://www.secondfocus.com


Something On A Stick with Ronnie

National Something On A Stick Day showed up on the calendar and that was enough. Emily, my AI muse and assistant, checked in with Ronnie.

We ended up at the bar inside a Mexican restaurant at the beach, clean, bright, the kind of place where everything is exactly where it should be. Color on the walls, light coming through the windows, nothing out of place.

Ronnie simply asked for a popsicle. That was her choice for something on a stick.

No performance, no exaggeration. Just enough presence to shift the moment. That’s where it turns. Something ordinary, placed in the wrong setting, and suddenly it becomes the only thing you’re looking at. Ronnie does that for my camera.

If you want to see more of my food photography, pornochic photo adventures, and everything in between, visit my website at
https://www.secondfocus.com


International Waffle Day Today, From Eggo to Everything Else

Most people don’t think twice about waffles. But they probably should.

Because somewhere between a homemade Belgian waffle and a frozen Eggo waffle, something distinctly American happened.

My version today starts in the freezer.

A stack of Eggo waffles, heated, finished with syrup, and placed onto a black background. No garnish, no pretense. Just the product, exactly as it shows up in kitchens across the country.

Eggo waffles date back to the 1950s, originally created by brothers Frank, Anthony, and Sam Dorsa. They were first called “Froffles”, a combination of frozen and waffles, before the name Eggo took over. By the 1970s, the brand became a staple in American households, helped along by a simple idea, waffles without the work.

But waffles themselves go much further back.

Early versions trace to medieval Europe, where patterned irons were used to cook thin batter between heated plates. By the time Belgian waffles were introduced to the United States at the 1964 New York World’s Fair, waffles had already evolved into something more refined, lighter texture, deeper pockets, and often served with fruit, cream, or powdered sugar.

Today, the spectrum is wide.

On one end, you have carefully plated waffles in restaurants, topped with berries, whipped cream, and sauces, presented as something closer to dessert than breakfast.

On the other, you have this.

Straight from the freezer, into the toaster, onto the plate.

And that may be the more honest version.

No ceremony. No reinvention. Just something quick, familiar, and widely understood.

That’s where my food photography, pornochic photo adventures, and more can be found on my website at https://www.secondfocus.com


A Cheesesteak Without the Grill: National Cheesesteak Day

Most people will tell you that if you want a proper Philly cheesesteak, you need to go to the right sandwich shop. Thin-sliced beef, grilled onions, melted cheese, and a roll that holds it all together. There is a long history behind it, going back to Philadelphia in the 1930s, when Pat and Harry Olivieri are credited with putting beef on a roll and starting what would become a regional staple.

That is not what this is.

For National Cheesesteak Day, I was not interested in tracking down the best sandwich shop. I was interested in something that fits within the reality of how a lot of people actually eat. Fast, packaged, and pulled from a freezer.

So I went to the grocery store and came back with a box of Hot Pockets Philly Steak & Cheese.

Cooked in the oven and cut open, they reveal exactly what you would expect. A sealed pastry filled with steak and melted cheese, engineered for convenience and speed. No grill, no counter, no line. Just a box, an oven, and a few minutes.

It is not a Philly cheesesteak in the traditional sense. It is a version of the idea, translated into something portable, shelf-stable, and widely available. That shift, from street food to frozen aisle, is part of the story.

My photograph keeps it simple. Straight from the box to a black background, cut open to show the filling, presented without staging or distraction. The focus stays on what it is.

My food photography, pornochic photo adventures, and more can be found on my website at https://www.secondfocus.com