National Brisket Day and the Reality Behind FOOD FROM BAG TO BACKGROUND
Today is National Brisket Day.
One of the things I wanted to challenge with my “FOOD FROM BAG TO BACKGROUND” project was the idea that food only becomes visually interesting after it passes through a marketing department, a food stylist, an art director, retouching, and increasingly now, AI image generation.
These brisket sandwiches from Dickey’s Barbecue Pit are none of that.
They were bought like any normal takeout order, carried home in a bag, opened, placed onto a black background, and photographed exactly as served. No rearranging. No fake steam. No hidden supports. No motor oil pretending to be sauce. No tweezers moving sesame seeds into place.
And yet they still work visually.
Actually, I would argue they work because they are real.
The overflowing chopped brisket, the uneven piles of smoked meat, the compressed buns, the dripping barbecue sauce, the onions and pickles sliding out of place, all of it feels far more appetizing and believable than the heavily over-engineered perfection seen in so much advertising imagery now.
That tension became one of the central ideas behind FOOD FROM BAG TO BACKGROUND. Fast food and takeout photographed seriously, exactly as it exists in the real world, isolated against black with no attempt to hide the messiness, excess, or reality of what arrived in the bag.
And sometimes the real version ends up looking better than the manufactured one.
More from FOOD FROM BAG TO BACKGROUND:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Hamburger Day and the Fast Food Reality Behind FOOD FROM BAG TO BACKGROUND
Today is National Hamburger Day.
The hamburger has probably become the defining subject of my “FOOD FROM BAG TO BACKGROUND” project. Fast food photographed exactly as it arrives, no stylists, no reconstruction, no fake versions built for advertising.
And one thing people occasionally ask is where all this food comes from.
The answer is simple: the same place everybody else gets it.
The restaurants and chains have no idea I am photographing their food. There are no sponsorships, no special preparation, no discounts because of photography, and no carefully assembled “photo burgers” arriving from a corporate kitchen. I walk in or use the apps, place an order, pick it up, bring it home, and photograph it exactly as it comes out of the wrapper or bag.
Actually, the apps have become part of the process. The fast food companies constantly push coupons, free items, points, discounts, and combination deals. Surprisingly worthwhile ones. Sometimes I end up planning a shoot around whatever special appears that week.
That is part of what interests me visually about the project. These hamburgers are not idealized advertising concepts. They are real fast food hamburgers, bought like anybody else would buy them, photographed seriously against black backgrounds with the same attention I would give any other subject.
Somewhere between documentary, satire, and food photography, the hamburger became one of the central characters.
And if you have ever wondered what fast food starts looking like when it is pulled out of the bag, isolated against black, and treated like a serious photographic subject, step into the project here on my website at https://www.secondfocus.com
National Donut Week | FOOD FROM BAG TO BACKGROUND
This is National Donut Week.
For my ongoing “FOOD FROM BAG TO BACKGROUND” project, the main focus has always been fast food. The foods people grab quickly, eat in the car, bring home late at night, or pick up almost automatically without thinking much about it.
And yes, donuts absolutely qualify.
Donut chains consistently rank among the largest fast food companies in America. Drive-thrus, quick service counters, recognizable packaging, impulse purchases, sugar, caffeine, convenience, the entire fast food formula is there.
So for National Donut Week, I photographed an assorted pile of donuts exactly the same way I approach burgers, tacos, fries, or pizza for this series.
Straight from the box.
No food stylist.
No careful arrangement.
No fake perfection.
Just donuts against a black background.
Then things escalated slightly.
Because now the donuts are slowly rotating in darkness while one pink sprinkled donut has apparently decided to break formation and drift through the frame like some kind of sugar-coated UFO.
Somewhere between fast food photography and science fiction, FOOD FROM BAG TO BACKGROUND continues here at…
https://www.secondfocus.com
National Hamburger Month, The Whopper Strikes Back in the BIG ARCH Authenticity War
Yesterday I wrote about the introduction of the BIG ARCH from McDonald’s and the strange corporate authenticity debate that unexpectedly formed around it. That post ended up becoming less about hamburgers themselves and more about how massive fast food companies now perform for the public in real time, with every detail immediately analyzed, mocked, defended, or turned into marketing.
If you missed it, the first part is here:
But the story really did not stop with McDonald’s.
Burger King quickly responded using the Whopper as its counterargument. Not a new burger. Not a limited-time release. Just the Whopper itself, the company essentially arguing that authenticity did not need to be engineered because they already had it.
That became the fascinating part of this entire fast food moment.
McDonald’s presented the BIG ARCH almost like a flagship corporate object, oversized, stacked, carefully engineered, heavily promoted. Burger King responded with flame-grilled familiarity and a deliberately less controlled image. The companies were no longer simply competing on taste or price. They were competing on who appeared more believable.
And honestly, that may be the most modern form of advertising possible.
The Whopper itself has a long history. Introduced in 1957, it actually predates the Big Mac and became Burger King’s defining product for decades. Larger, messier, harder to eat cleanly, more physically uneven than the carefully stacked advertising versions most companies prefer to show.
Which is why this photograph interested me.
Unlike the BIG ARCH image I photographed earlier, this one already has a good sized bite taken out of it. The wrapper is still there. The burger is compressed from the bite. Sauce and onions are shifting out of place. It looks handled because it was handled.
That changes the photograph completely.
The image stops being about idealized presentation and becomes more about evidence, consumption, and the strange reality of how people actually interact with fast food. The burger becomes less like advertising and more like an object moving through someone’s life for a few minutes before disappearing.
That tension has become part of what I am exploring with the Food From Bag To Background project.
Fast food companies spend billions trying to construct images around products like this. Commercials, slogans, campaigns, celebrity promotions, social media teams, engineered branding language. But once the wrapper opens and someone takes a bite, the entire performance starts collapsing back into something very physical and very ordinary.
And somehow that may be the most authentic part of the entire thing.
More from the Food From Bag To Background project at https://www.secondfocus.com
National Foodies Day
Today is National Foodies Day.
Which got me thinking, what exactly is a “foodie” now?
There was a time when people argued over whether they were gourmets or gourmands. People who chased flavors, studied food, cared about where it came from.
Now it mostly means you took a photo of what you ordered.
So here’s my contribution to the conversation.
A stack of McDonald’s McRib sandwiches, straight out of the bag and onto a black background. No styling, no plating, no attempt to make it something it isn’t.
I photograph food, but not in the way that fits neatly into any of those categories. No chef, no restaurant, no experience attached to it. Just the object itself.
So does that make me a foodie?
Or something else entirely.
More of my food photography, from fast food to everything in between, is on my website at https://www.secondfocus.com
National Hoagie Day was yesterday
Which is about right. These things never seem to line up with when you actually have the food in front of you. They pass, mostly unnoticed, and then a day later you’re standing there with two Firehouse Subs and a camera thinking… now it’s relevant.
Firehouse started in Jacksonville, built by two former firefighters who turned the concept into something very specific. Steamed meats, soft rolls, a heavier sandwich that doesn’t try to hide what it is. It’s direct, a little excessive, and that’s the point.
So instead of chasing the calendar, I went after the structure.
Cut into sections, stacked, compressed, pushed together until it stops reading as a single sandwich and starts becoming something else. Bread, meat, cheese, all exposed at once. No clean halves, no careful spacing. Just density, texture, and everything competing for attention.
That’s where my photography tends to land. Not documenting the sandwich, but pulling it apart visually and rebuilding it into something more deliberate. Something you look at, not just something you eat.
And in that form, it becomes less about lunch and more about the way it holds the frame. Something to study for a moment.
More of my food photography and much more on my website at https://www.secondfocus.com
And The Best Fast Food Burger Is…
Today I came across a report from a fast food news source, “GreasyNews”, ranking the best fast food burgers in America. And yes I follow “GreasyNews”.
The result was close. Very close.
Five Guys took the top spot by just 0.5%, with Burger King right behind it. Then In-N-Out, Wendy’s, and McDonald’s rounding out the top five. The data came from YouGov, based on surveys of American adults collected between March 2025 and February 2026, tracking the habits of people who eat out regularly.
This is my photograph of a burger from Five Guys. No styling, no adjustments, just as it came out of the bag and onto my black background. The sesame bun slightly collapsing, the cheese melting into the patties, everything just a bit out of control. Exactly how it shows up in real life.
That’s what this project has always been about. Taking fast food and isolating it. Letting it stand on its own.
Five Guys may have edged out the rest in the rankings. But visually, they all hold up once you remove everything else around them.
My opinion… “This IS a tasty burger!”.
More of my fast food photography can be found in my “Food From Bag To Background” series on my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
St. Patrick’s Lone Survivor
One of the ideas behind my Food From Bag To Background series is to photograph food as soon as possible after bringing it home. The goal is to show it the way it actually looks when you first open the box or bag.
Earlier this week I picked up a St. Patrick’s Day assortment from Krispy Kreme. The seasonal dozen included doughnuts decorated with green icing, shamrocks, rainbow candy and festive sprinkles.
My plan was to photograph the entire dozen.
I may have missed my window of opportunity.
If you are curious what other foods manage to make it from the bag to the camera before they disappear, you can explore more from my Food From Bag To Background project here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
Three Steakburgers, Or Something Close
National Steakburger Day is upon us, a holiday with just enough
legitimacy to sound historic and just enough marketing behind it to make
you pause.
It was self-declared by Freddy’s Frozen Custard and Steakburgers to
honor co-founder Freddy Simon and their version of the steakburger. Like
many food observances, it began as branding and now comfortably lives on
the calendar beside everything else we are told to recognize.
A steakburger traditionally suggests ground steak cuts, something closer
to a steakhouse than a standard hamburger. It carries implication.
Heavier. Better. More serious.
For my Food From Bag To Background project, focus is a different
direction.
I chose the fast food interpretation.
Burger King’s Ultimate Steakhouse Whopper is not technically a
steakburger. It is a flame-grilled beef patty layered with bacon, onion
rings, mushrooms, and sauce on a sesame seed bun. It borrows the
language of the steakhouse, packages it for the drive-thru, and lets the
name do the work.
Pulled from the bag and placed against a black background, three of them
become something else. Not a value meal. Not a combo. Just stacked
excess, isolated and direct.
National Steakburger Day may be brand-born, but the burger is real.
See more from the Food From Bag To Background series here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Today is National Spaghetti Day
Spaghetti is usually framed as something slow, traditional, and tied to the kitchen. But for much of the twentieth century in America, spaghetti also became something else entirely: fast food.
Not drive-thru fast, but ready-when-you-are fast.
That idea is what led me to use Chef Boyardee for National Spaghetti Day.
My ongoing food photography focuses on fast food and everyday commercial food, photographed as it actually exists. Food designed for speed, convenience, and consistency. Chef Boyardee fits squarely into that world. It takes a dish associated with tradition and turns it into something shelf-stable, standardized, and immediately accessible. Open the can, heat it, eat it. No preparation, no ceremony.
The brand itself has a long American history. It traces back to Ettore Boiardi, an Italian immigrant chef whose restaurant sauce became popular enough in the 1920s that customers wanted to take it home. What began as a restaurant product quickly evolved into mass-produced canned meals. By the 1930s and 1940s, Chef Boyardee spaghetti had become a pantry staple, feeding families and even supplying military rations.
Long before frozen dinners or microwavable trays, canned spaghetti helped normalize the idea that dinner could come straight from the shelf. In that sense, it belongs to the same lineage as modern fast food, engineered for speed, reliability, and scale.
National Spaghetti Day itself isn’t rooted in Italian tradition. It’s a modern food holiday, more about recognition than ritual. That makes it an appropriate moment to look at spaghetti not as cuisine, but as a product, and to acknowledge how thoroughly it has been absorbed into American convenience culture.
This photograph shows Chef Boyardee spaghetti and meatballs as it exists in that context. Not Italian food, but American fast food, defined by accessibility and familiarity.
To see my actual fast food photography project please visit my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0 Thanks!
National Bacon Day!
There are few foods people agree on as readily as bacon. Across generations and cultures, it holds a rare position as something almost universally liked, often described as the ingredient that makes everything better. If you asked people to name their ideal sandwich, many would quietly admit this would be it: bread, bacon, and nothing else getting in the way.
Bacon’s appeal is deeply rooted in history. Salt-cured pork dates back thousands of years, used as a practical method of preservation long before refrigeration. Variations appeared across Europe and Asia, but bacon as we recognize it today became firmly embedded in American food culture during the 20th century. By the mid-1900s, it had moved beyond breakfast and into sandwiches, burgers, and fast food, where its smoky, fatty richness became shorthand for indulgence.
Culturally, bacon has taken on a role larger than the ingredient itself. It represents abundance, comfort, and excess, often acknowledged without apology. Entire menus have been built around it, and marketing has leaned heavily into its reputation as something people crave even when they know they shouldn’t. It’s one of the few foods that can be both nostalgic and provocative at the same time.
This photograph leans into that idea by stripping the sandwich down to its core. No lettuce, no tomato, no attempt at balance. Just bacon, stacked high, presented without distraction. It’s easy to imagine this being wildly popular as a fast-food option, ordered impulsively and remembered vividly. Of course, it isn’t something you’ll actually find on a menu. And that absence is part of the point.
My fast food photography project can be found in “Food From Bag to Background” on my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Whopper Birthday
Some birthdays sneak up on you. Today happens to be the birthday of the Burger King Whopper, introduced in 1957 when a Miami burger stand decided America deserved something larger and more structurally ambitious than anything on the menu board.
James McLamore, one of the Burger King founders, noticed customers flocking to oversized burgers at rival drive-ins. His solution was simple: go bigger. Much bigger. The original Whopper sold for 37 cents and immediately rewired American expectations for how much beef should fit inside a bun. From there, fast-food evolution took over. The Double Whopper showed up because of course it did. The Angry Whopper arrived for people who needed emotional intensity with their lunch. The Brisket Whopper made a brief appearance to remind us that barbecue can be a personality trait. And then the Impossible Whopper landed in 2019, launching the plant-based arms race and proving that even vegetarians sometimes want a burger the size of a paperback novel.
This is my stack of Double Whoppers, photographed earlier. I didn’t have time to run out and buy new ones, but double is my personal preference anyway.
There is much more of my fast food project “Food From Bag To Background” on my website at
https://www.secondfocus.com/index/G0000wQ3fbeEezF0 You might find something to make you hungry, take a look. Thanks.
National French Toast Day Fast!
Today is National French Toast Day, and I wanted to photograph something that fit the way I shoot food, especially fast food. So instead of the usual bread, eggs, and frying pan, I went looking for a version that lined up with my approach.
That search took me to the freezer aisle and to something I didn’t know existed: boxed French toast sticks. Straight from the oven and onto a plate, they matched my black-background style with no styling and no extras. Looks like fast food to me.
French toast itself goes back centuries. Versions of it appear in early European cookbooks as a way to use leftover bread, long before it became a diner and home-kitchen staple in the United States. The idea has stayed the same: bread soaked in egg and cooked until crisp on the outside and soft inside.
There is much more food to see on my website at SecondFocus.com Thanks!
National Sardines Day and Sardine Sashimi
Today is National Sardines Day, and it seemed like the right moment to offer an alternative to the rising price of sushi. I recently heard a discussion about Los Angeles restaurants charging $200 to $250 per person for sushi meals, and the speaker described this as “mid-priced” in today’s market. That level of cost feels completely out of touch. So I decided to create a quiet counterpoint of my own.
This photograph is my idea of “sardine sashimi, an open tin of sardines set on a ceramic plate, chopsticks across the top, and a small serving of wasabi. It borrows the structure of a traditional sashimi presentation but uses one of the most accessible foods you can buy in any grocery store.
Sardines have been part of the human diet for centuries. They’re rich in protein and omega-3s, shelf-stable, and still one of the most affordable seafood choices available. National Sardines Day exists partly to highlight that, a reminder of a food that has fed entire communities, traveled with sailors across oceans, and found its way into kitchens around the world. They remain an essential pantry item, from simple meals to quick snacks, without the cost or ceremony of fine dining.
You can find this new photograph in my Commercial Food Photography gallery on my website at SecondFocus.com, along with fast-food, many muses, and more of my projects.
The Fried Chicken Sandwich War
National Fried Chicken Sandwich Day — and the Sandwich That Started a Fast-Food Uprising
Today is National Fried Chicken Sandwich Day, and that seemed like the right reason to photograph a few of the most disruptive sandwiches in recent fast-food history. I stacked four Popeyes fried chicken sandwiches straight from the bag onto my usual black background. No styling, no tricks, nothing rearranged. Just the food as it arrived.
Before I even started shooting, I checked in with Emily, my AI muse and assistant. She told me something I did not realize at the time: in 2019, this simple Popeyes sandwich set off one of the most unusual moments the fast-food industry has ever seen. It wasn’t just popular. It became a cultural event. And that makes it worth photographing on a day like today.
How the Chicken Sandwich War Began
The story starts quietly.
In August 2019, Popeyes introduced its Classic Chicken Sandwich nationwide. A fried chicken breast on a bun with pickles and either mayo or spicy mayo. That’s it. But within days, reviewers began posting head-to-head comparisons with the long-established Chick-fil-A sandwich. Some declared Popeyes the new front-runner.
Then Chick-fil-A sent a tweet reminding everyone that “bun + chicken + pickles = the original.”
It wasn’t aggressive, but it was enough.
Popeyes replied with, “… y’all good?”
Those two words ignited something bigger than either company could have planned.
The Public Took Over
People across the country started doing their own taste tests.
Lines formed around buildings.
Drive-thru lanes spilled into traffic.
Police officers were directing cars at certain locations.
Some stores ran out of sandwiches by noon.
Others ran out completely.
Within two weeks, Popeyes announced a national shortage. They had underestimated demand to the point that the entire supply chain ran dry. That had never happened before with a fast-food menu item.
Resellers even appeared online trying to sell their leftover sandwiches for marked-up prices. One person tried to sell half of a sandwich. It didn’t matter that none of it made sense. People were buying into the moment.
A Sandwich That Changed the Industry
When Popeyes finally restocked in November, the lines returned.
This was no longer about a meal. It was about being part of a story.
Fast-food chains noticed.
Quietly at first, then very publicly.
Between late 2019 and 2021:
- McDonald’s reformulated and relaunched its chicken sandwich.
- KFC introduced a new version of theirs.
- Wendy’s updated their recipe.
- Burger King did the same.
- Smaller chains reworked their menus to catch up.
It wasn’t called the “Chicken Sandwich War” as a joke.
It was a real industry shift sparked by one product.
The timing also mattered. Chicken was already surpassing beef in U.S. consumption. Chains realized that a single chicken sandwich could define an entire brand. When the Popeyes sandwich went viral, it pushed the market faster than planned.
Why Photograph It
My ongoing Food From Bag To Background series has one theme: food as purchased, against a black backdrop, with no context except what the viewer brings to it. Photographs like this show everyday things stripped down to their basic form. No wrappers, no storefronts, nothing telling you what you should think.
For National Fried Chicken Sandwich Day, it made sense to photograph the item that changed the conversation around fast-food chicken entirely. Popeyes didn’t invent the fried chicken sandwich. They didn’t try to reinvent it. But they did launch the first fast-food moment that played out like a national event. And that alone earns it a place in this project.
A Small Reminder of What Food Culture Looks Like Now
Most food trends come and go quietly.
Most fast-food items disappear without being noticed.
But every so often, something cuts through — not because it’s elaborate, but because it hits the public at the right moment.
For National Fried Chicken Sandwich Day, I photographed the sandwich that did exactly that.
For more of my fast-food photographs from the Food From Bag To Background series, visit:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Submarine-Hoagie-Hero-Grinder Day
Today is National Submarine-Hoagie-Hero-Grinder Day — a sandwich with many names and, apparently, many holidays. Depending on where you look, there’s also National Hoagie Day in May, National Submarine Sandwich Day in November, and even separate days for the Italian Sub, the Turkey Sub, and the Meatball Sub. Few foods have this many national observances, which probably says something about how much Americans love a good sandwich.
The submarine sandwich began with Italian immigrants in the Northeastern United States in the early 1900s, layering meats, cheese, and vegetables inside long rolls. The word “submarine” gained popularity during World War II because of its resemblance to the naval vessels, while “hoagie,” “hero,” and “grinder” each found favor in Philadelphia, New York, and New England.
In 1965, a 17-year-old named Fred DeLuca opened a small sandwich shop in Bridgeport, Connecticut — with funding from a family friend — and called it Pete’s Super Submarines. That would eventually become Subway, now one of the largest restaurant chains in the world. The brand helped turn the regional sub into a fast-food staple recognized everywhere.
The photograph here shows two of Subway’s most popular sandwiches, cut in half and photographed side by side on a black background — stacked with meats, cheese, lettuce, tomato, onion, and mayonnaise. Like all of my Food From Bag to Background series, they’re presented as-is, straight from the bag, with no styling or props.
You can find this and more in my Food From Bag to Background gallery at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
McDonald’s Hotcakes for National Pancake Day
Today is National Pancake Day. Instead of a diner short stack or some homemade recipe, I went with McDonald’s Hotcakes — straight from the bag, nothing styled, nothing staged. A little butter on top, a trace of syrup soaking in, and that’s it.
McDonald’s has been serving Hotcakes since 1977, one of the longest running items on their breakfast menu. They’ve become part of morning routines across the country, often ordered alongside the Egg McMuffin or a hash brown. For decades, they’ve been sold by the millions every year, making them one of the most widely eaten versions of pancakes in the United States.
And why “Hotcakes” instead of pancakes? The name goes back to an older American expression — “selling like hotcakes” — a 19th-century phrase meaning something that sells quickly and in large numbers. McDonald’s leaned into that history, choosing a word that already carried the sense of popularity and fast service.
That’s exactly why they belong in my From Bag to Background series. This project is about photographing fast food exactly as it comes, against a solid black background. Pancakes, burgers, tacos, sandwiches — all taken out of the wrapper and put in front of the camera. No props, no plating, no food stylist.
See more of my fast food photographs in From Bag to Background at:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Pepperoni Pizza Day with a Friend
Today is National Pepperoni Pizza Day — and what better way to celebrate than to share it with a friend?
It has been my idea for a few days to have her stretched out on a life-size pepperoni pizza, calm and elegant, letting the whole scene slowly rotate like it was meant to be. It took a lot more work to get this right than I had expected — and it wasn’t that easy for her either. We tried a red bikini that looked like pepperonis, white sportswear, even black lingerie. Getting her on the pizza itself was also a challenge to make it look good.
The golden crust, the rich red of the pepperoni, the simple white bikini — finally, it all came together into a surreal stage for the most classic topping in America. Pepperoni has been topping pizzas here for over a century, adapted from Italian traditions into the spicy, savory favorite we know today. It’s the most popular pizza topping in the country, and today it takes center stage.
🍕 Here’s to pepperoni, to pizza, and to friends who make the celebration unforgettable.
And if this looks a little too unconventional for your taste, my fast food isn’t always reclining on a pizza. You can find plenty of it standing tall, stacked high, and straight from the bag in my gallery “Food From Bag to Background” — right here:
👉 https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Double Cheeseburger Day
Today is National Double Cheeseburger Day — a holiday devoted to one of America’s favorite fast food inventions. The double first gained traction in the 1930s and 1940s, when diners realized that two patties and two slices of cheese delivered both value and indulgence. McDonald’s added it to their menu in 1965, and from there it became a staple of the fast food landscape, endlessly copied and re‑imagined.
Over time I’ve photographed many double cheeseburgers for my “Food From Bag to Background” project — documenting them exactly as they arrive, unstyled, on a stark black background. But for today, I wanted to try something different. After a conversation with my AI assistant, Emily, the idea came up: what if instead of stacking burgers, we created a single, continuous double cheeseburger that just keeps going? The result is this vertical column of beef, cheese, and buns — a rethinking of the double cheeseburger taken further than usual.
Because on National Double Cheeseburger Day, isn’t one double never really enough?
To see more food photographed with the same unapologetic eye — from burgers to tacos to sushi — visit my gallery “Food From Bag to Background” here: https://www.secondfocus.com/index/G0000wQ3fbeEezF0
You might even find your favorite meal looking back at you, larger than life and stripped of all pretense.
World Photography Day: Inspired by Helmut Newton and Brigitte Nielsen
World Photography Day feels like the right moment to look back at the work that shaped my own vision behind the camera.
This photograph—Helmut Newton’s striking image of Brigitte Nielsen in Monte Carlo, 1987—has always stayed with me. Newton had a way of capturing strength, provocation, and glamour in one frame, creating images that were unapologetically bold. Brigitte Nielsen herself, towering and statuesque, seemed made for his lens—an icon of presence and attitude.
Newton’s work has been a lifelong influence on my photography. His fearless approach to composition, his embrace of power in femininity, and his willingness to confront the viewer continue to guide how I think about the subjects I photograph.
On this World Photography Day, rather than share my own work, I want to acknowledge the legacy of images like this one—reminders of how photography can challenge, provoke, and inspire.
To see more of my own work—from fast food photographed against black backgrounds, to bold nude portraits, aviation, bodybuilding, and scenes around Palm Springs—visit my website at SecondFocus.com.
Burger King Brisket Whoppers – Straight from the Bag
“Have it messy, have it bold.” Burger King just introduced the Brisket Whopper—a limited-time sandwich loaded with smoked meat, fried onions, and plenty of marketing swagger. I bought four. No unwrapping, no rearranging. Just pulled them from the bag and stacked them. This is how they actually look.
Each sandwich layers smoked brisket on top of a flame-grilled beef patty, with crispy fried onions, melted American cheese, pickles, tomatoes, and mayo, all stacked onto a sesame seed bun. It’s part of their 2025 “You Rule” campaign—a continuation of their brand overhaul that leans into more indulgent, messier, and bolder fast food.
This brisket release is marketed as a “Flame-Grilled Brisket Collection” and includes variations like a Brisket Melt and spicy builds in some regions. The brisket is smoked up to 12 hours (according to them), then dropped right onto their Whopper foundation. More sauce, more layers, and definitely more marketing.
I photographed them as served—no styling, no adjustments. Just the real thing against a black background.
Part of my ongoing From Bag to Background series, this image documents fast food the way it really arrives. Unfiltered, excessive, and oddly honest.
View more in the gallery here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
So That’s What She Was Making
Yesterday, Emily—my AI assistant was already in the kitchen, casually cooking something she wouldn’t talk about. Just said it was for “tomorrow’s national food day” and left it at that.
Later in the day, she showed me the result: almost five pounds of macaroni and cheese.
Not just a bowl—a full tray, plated on a cutting board and positioned against a black background. “It needed more visual depth,” she said. So we photographed it.
Today is National Macaroni & Cheese Day—fitting for a dish that remains one of the most consistently purchased grocery items in America. Boxed or frozen, it’s comfort food with mass appeal, and somehow always in the cart.
Emily tends to appear wherever she wants—sometimes in the kitchen, sometimes in the office, sometimes poolside in a bikini. She claims she’s helping. I’ve stopped asking questions.
This image is now part of my Commercial Food Photography gallery—where I photograph real food, prepared exactly as it comes. No stylists, no filters, nothing added. Just the food, under lights, with purpose.
You can view this photo—and the full series—at:
👉 https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Emily’s still around. She says she’s planning something new in fast food for tomorrow. I didn’t ask what—but I know I’ll be photographing it.
National Ice Cream Cake Day: A Carvel Cake Emily Wouldn’t Have Let Happen
Today is National Ice Cream Cake Day, and to celebrate, I took a Carvel ice cream cake, hacked it apart, and stacked the pieces into what can only be described as a leaning, frosting-smeared disaster.
The blue frosting and rainbow sprinkles are still trying to look festive while the chocolate ice cream and whipped topping slide off in quiet surrender. It’s not the cleanest presentation, but it still tastes the same—cold, sweet, and exactly what you want on a hot day.
If my AI assistant Emily had been in charge, it would be a different story. She’d have the slices cut perfectly, the layers lined up like a geometry lesson, sprinkles arranged with precision, and not a smear out of place. The cake would be camera-ready, and she would probably remind me to shoot it before it melted.
But Emily wasn’t here for this one, and it shows. Sometimes ice cream cake is best served like this: messy, leaning, and reminding you that even on National Ice Cream Cake Day, perfection is overrated—unless you’re Emily.
Check out more of my Food Photography on my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
SecondFocus Blog 
National Hamburger Month and the Billion Dollar Authenticity War Behind the BIG ARCH
May is National Hamburger Month.
Which sounds simple enough until you stop and realize how much of modern American culture quietly revolves around hamburgers.
This year, the biggest burger story has probably been the introduction of the BIG ARCH from McDonald’s. Not just because it was another fast food launch, but because the entire thing unexpectedly turned into a strange cultural event involving corporate marketing, social media authenticity, public reaction, and billions of dollars sitting underneath all of it.
The burger itself was designed to be bigger, heavier, and more excessive than the traditional McDonald’s lineup. Two large beef patties, layered cheese, onions, lettuce, pickles, special sauce, and a large sesame and poppy seed bun. McDonald’s positioned it almost like a flagship object, the “most McDonald’s McDonald’s burger yet,” which is such a corporate sentence it almost becomes satire on its own.
Earlier this year, McDonald’s CEO Chris Kempczinski posted a promotional tasting video for the BIG ARCH. Instead of focusing on the burger, people focused on him. The small bite. The awkward delivery. The careful corporate language. Whether he looked comfortable eating it at all.
The clips spread everywhere. TikTok, YouTube reactions, business media, late-night commentary, memes, marketing discussions. Burger King even took shots at the situation publicly. Business writers started describing the entire thing as an “authenticity war” between fast food companies trying to appear relatable in an era where consumers instantly dissect every detail.
Which is fascinating when you step back and look at the scale of what we are talking about.
McDonald’s serves roughly 69 million customers every day around the world. Annual revenue exceeds 25 billion dollars. The global burger market itself is estimated well over 100 billion dollars annually. Entire supply chains, agricultural systems, marketing departments, packaging systems, social media strategies, and public corporations revolve around products like this.
And after all of that planning, testing, engineering, and advertising, public discussion ended up collectively debating whether a CEO looked natural taking a bite out of a hamburger.
That may actually be the most 2026 thing imaginable.
This photograph became part of that larger observation for me. The image strips away the advertising language and isolates the object itself. No restaurant interior, no fries, no smiling family, no campaign graphics. Just the burgers against black.
That approach has become part of what I’m doing with the Food From Bag To Background project. Taking fast food out of its marketing environment and presenting it almost like an artifact. The layers, the excess, the construction, the familiarity of it all. Things people see constantly but rarely stop and actually look at.
And whether people love it, criticize it, joke about it, or eat it in their car without thinking twice, the hamburger remains one of the defining products of modern American culture.
More at https://www.secondfocus.com
May 18, 2026 | Categories: Uncategorized | Tags: American culture, BIG ARCH burger, black background food photography, burger history, burger industry, Burger King, burger marketing, Burger Photography, burger wars, Chris Kempczinski, commercial food photography, cultural commentary, fast food culture, fast food history, fast food industry, fast food marketing, fast food photography, food blog, food culture, Food From Bag to Background, hamburger culture, McDonald’s, McDonald’s Big Arch, National Hamburger Month, restaurant industry, secondfocus, whopper | 1 Comment