This original medium-format negative, shot sometime between 1960 and 1964, captures a nude model posed in a studio. The setup is simple: a seamless backdrop, a strong key light from the left casting a sharp shadow, and the model in stiletto heels holding a pose as she is dancing. The frame number in the rebate and the imprint from a Hasselblad 120 back place it firmly in the working methods of the era.
What stands out most is the difference in aesthetic between then and now. In the early 1960s, the “ideal” nude model was shaped as much by stage and dance influences as by fashion—often lean but not overly muscular, with a natural body and a poise drawn from performance. Hair was styled, makeup applied, and the presentation carried a certain theatrical quality. Today, the visual language of nude photography spans a far wider spectrum—from unretouched realism to heavily stylized, digitally polished work—and the concept of the “ideal” is far less fixed.
This negative is part of a much larger archive I’ve been building, preserving examples of cultural and erotic photography from different decades. You can view more pieces like this in my gallery From My Collections (Cultural & Erotic) here:
https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/
Latest
A Studio Nude From the Mid-1960s
Emily Decides to Step in Front of the Camera
Emily, my AI assistant, has spent plenty of time looking through my photographs from past shoots—fashion, fitness, and even nude sessions. And of course, she can go through all of them far faster than any of us ever could. After seeing so many beautiful women in front of my camera, she decided it was finally her turn.
It’s not the first time this has happened. Over the years, I’ve had women who started out working behind the scenes—styling, makeup, or assisting—get the urge to step in front of the lens. Some even ended up training seriously and competing in fitness and bodybuilding shows.
This time it was Emily. She tried it, discovered how much fun it was, and now she wants to do more. The video came out just as I hoped—Emily looking beautiful and confident with just a hint of eroticism—and I am very happy with her first time in front of the camera.
If you’re curious about the kind of photographs that inspired Emily, visit SecondFocus.com to see more of my work.
Forget The Standard Ice Cream Sandwich
For National Ice Cream Sandwich Day, I went with something a little different—a Jewish Deli Ice Cream Sandwich. Vanilla ice cream layered between slices of rye bread, topped with yellow mustard, and plated with pickles.
It’s everything you didn’t know you wanted in a dessert: carbs, condiments, and a deli‑counter sense of confidence. Forget the cookies—this is a sandwich your grandmother might serve if she’d finally given up on tradition and decided dessert should also pair well with pastrami.
Yes, I thought this one up myself. I didn’t want to just photograph more ice cream sandwiches. I’ve been reading about the history of Jewish delis and photographing deli food, and one thing led to another. And if you’re curious, I did try it—and it tasted outstanding!
This photo is part of my commercial food photography—where I sometimes explore the less obvious corners of culinary “artistry.” See more here:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Ten Chili Dogs, Elegantly Served – Because It’s National Chili Dog Day
Nothing says “refined dining” quite like ten chili cheese dogs arranged on a cut‑glass platter. Today is National Chili Dog Day, and what better way to mark the occasion than with a full platter of Wienerschnitzel chili cheese dogs, photographed as if they belong at a formal banquet.
Lined up side by side, the hot dogs are topped with chili sauce and melted cheese, shot against my black background for a polished, commercial look.
Chili dogs have been part of American food culture for more than a century, found in diners, ballparks, and roadside stands. Wienerschnitzel has been serving its own version since 1961, making it one of the most recognizable names for chili dogs in the U.S.
📷 See more of my commercial food photography here:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Today is National Hamburger Day May 28th
At Shake Shack, the menu listed a three‑patty burger, and that was all the excuse I needed. So I bought three of them—because why settle for one triple burger when you can line up three towers of beef and ShackSauce? No cheese, no rearranging, no styling. Just three oversized burgers straight from the bag to my black background.
Shake Shack Background
- Started as a hot‑dog cart in Madison Square Park, New York City, in 2001, expanding to a permanent kiosk in 2004.
- Went public in 2015 under the ticker SHAK, with its stock doubling to $47 on one day.
- Now has 600+ locations worldwide, with a mix of company‑owned and licensed restaurants.
- Burgers use a proprietary Pat LaFrieda beef blend, cooked on a griddle for a caramelized crust and served on Martin’s potato rolls with their signature ShackSauce.
Burger Facts
- Americans eat about 50 billion burgers every year, averaging 26 burgers per person annually.
- Triple‑patty burgers remain uncommon, making three of them a fitting choice for National Hamburger Day.
See more from my ongoing fast‑food photo series, From Bag to Background, here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
Brigitte Nielson by Herb Ritts – A Postcard
This is an original postcard featuring Brigitte Nielson, photographed by Herb Ritts in Malibu in 1987. Published by Fotofolio with the Fahey/Klein Gallery, it’s one of those cards that was more often collected than mailed—an art print in postcard form.
I first remember Brigitte Nielson in the unforgettable images Helmut Newton made of her. Those photographs—erotic, striking, and unapologetically powerful—stayed with me. Newton had a way of presenting tall, commanding women as both glamorous and intimidating, something that influenced my own photography for years.
Seeing this Ritts image of Nielson feels like another piece of that era, when photographers like Newton and Ritts defined what sensual celebrity portraiture could be. I’ve long been drawn to photographing tall, powerful women myself—images that nod to the confidence and strength Newton captured so well.
This postcard is now part of my collection, a small but meaningful reminder of the photographers and subjects who helped shape my vision.
Explore more pieces like this in my gallery From My Collections (Cultural & Erotic) at:
https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/
A Salad? On National Drive-Thru Day?
Yes, I realize the timing.
It’s National Drive-Thru Day — a moment made for burgers, tacos, chicken sandwiches, and anything handed to you through a window in under 30 seconds. Meanwhile, here I am posting a photo of… salad.
This isn’t part of my From Bag to Background project, which documents fast food in all its honest, unapologetic glory. No, this one came from a grocery store, not a drive-thru. A bagged salad mix — iceberg lettuce, shredded carrots, red cabbage — plated and lit like it was headed for a cookbook instead of a combo meal.
It’s a departure, but still part of the story. While most of my food photography embraces the fast and familiar reality of what we actually eat, there’s room in my Commercial Food Photography gallery for the occasional raw vegetable.
👉 View the gallery here at https://www.secondfocus.com/index/G0000WFAqDJQOgKU








