Emily, My St. Patrick’s Day Muse
St. Patrick’s Day has a way of turning everything emerald green.
Store displays change color, menus suddenly feature seasonal creations, and the familiar symbols of the Irish holiday begin appearing across restaurants, bakeries, and bars.
While preparing for the holiday this year, Emily decided to take a more direct role.
Emily, as many readers know, is my AI assistant and occasional muse. She tends to appear when an idea is forming, usually with a suggestion of her own. This time, however, she arrived looking quite different.
She had decided to give herself a much more elegant look for the occasion. Dressed entirely in emerald green, with a sharp new style and a level of poise I hardly recognized at first, she looked as though she had stepped directly into the role she had chosen.
“I thought you might need a St. Patrick’s Day muse,” she explained.
It was difficult to argue with that.
The video that follows is Emily embracing the role. As St. Patrick’s Day approaches, it seems only fitting that the color of the season has found its way into the studio as well.
If you would like to see more of my photography, including my ongoing creative projects and the occasional appearance by Emily, you can explore the galleries on my website at https://www.secondfocus.com
National Meatball Day
Today is National Meatball Day.
Normally that would send me in the direction of photographing a plate of them, perhaps arranged neatly in sauce or styled carefully for a food photograph. But the truth is, when I started thinking about meatballs this morning, creativity was not exactly flowing.
And when that happens, something else usually steps in.
My pornochic photography has a way of calling out to me when things get too predictable. It tends to ignore the expected subject and wander somewhere more interesting. In this case, it wandered poolside.
Instead of a plate of meatballs, three fashion models relax in the sun beside a resort swimming pool. The setting is calm, the light is bright, and the furniture, if you look closely, appears to be made from oversized meatballs. The result lands somewhere between fashion photography, satire, and a slightly absurd interpretation of what National Meatball Day might look like if the fashion world got involved.
Food photography can sometimes take itself very seriously. My work often wanders away from serious.
So today, instead of spaghetti and meatballs, we get sun, palm trees, and a reminder that inspiration sometimes arrives from unexpected directions.
And sometimes it arrives wearing absolutely nothing at all.
My food photography and so much more on my website at https://www.secondfocus.com
Please take a look and Thank You!
Efficiency in the Frozen Food Aisle, According to Desiree
Last Friday was National Frozen Food Day.
Unfortunately I was running a little late getting anything together for it. That is when I had what seemed like a very efficient idea. Instead of doing the shopping myself, I decided to send Desiree back to the supermarket where she had shopped for me previously. Her last grocery store video turned out to be very successful, so repeating the experiment seemed like a perfectly reasonable plan.
I told her I would meet her there.
When I arrived, however, I discovered that Desiree had interpreted “repeat the concept” somewhat literally.
She was wearing, or perhaps more accurately not wearing, exactly what she wore the last time. The same red heels, the same confident attitude, and the same approach to grocery shopping that had apparently worked so well before.
Her explanation was simple. If the last video was successful, why change anything?
Fair point.
So Desiree continued down the frozen food aisle, apparently quite comfortable with the situation, while I tried to remember what I had actually sent her there to buy.
The timing turned out to work rather well. National Frozen Food Day may have been Friday, but today happens to be National Hash Brown Day, and frozen hash browns are exactly the kind of invention that made the modern frozen food aisle possible.
In the end, Desiree’s shopping trip may not have saved any time at all, but it did provide a reminder that the frozen food aisle can sometimes be a surprisingly interesting place.
And apparently Desiree intends to keep the same shopping strategy.
If you would like to see more of my food photography, and perhaps a few more of these pornochic adventures, you can visit my website at https://www.secondfocus.com
National Hash Brown Day
Today is National Hash Brown Day, which seems like a perfectly reasonable excuse to cook a pile of them.
Hash browns have been part of the American breakfast for more than a century. The name comes from the French word “hacher”, meaning to chop. In the late nineteenth century restaurants began serving what were called “hashed brown potatoes,” chopped or shredded potatoes fried until crisp. They appeared on hotel breakfast menus and quickly spread to diners and restaurants across the country.
The modern hash brown patty, however, is a much newer development.
Many people associate the familiar patty with McDonald’s, where the crisp rectangular hash brown became one of the most recognizable breakfast sides in America.
But the frozen food industry actually got there first.
In the 1960s frozen potato company Ore-Ida introduced frozen hash brown patties as part of the expanding frozen convenience food market. Shredded potatoes were formed into patties that could go directly from the freezer to the oven or pan. When McDonald’s launched its national breakfast program in the early 1970s, the frozen patty format worked perfectly for restaurant kitchens and quickly became associated with the chain.
For this photograph I cooked a batch of frozen hash brown patties and piled them onto their packaging, a small nod to their frozen food origins. A few broken pieces reveal the soft shredded potato interior beneath the crisp exterior.
Not bad for something that started as chopped potatoes in a hotel kitchen and ended up in the frozen food aisle.
You can see more of my Commercial Food Photography on my website at…
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
The Most Popular Snack in America Isn’t Potato Chips
I managed to miss National Snack Day this year. It was March 4th. Somehow that critical moment in American culture slipped right past me, which is unfortunate because snack food is practically a national pastime.
To make up for the oversight, I decided to photograph a plate of Rice Krispies Treats. Not just the classic version, but also a few variations with chocolate drizzle and candy pieces mixed in.
And here is the interesting part. Depending on how you measure it, Rice Krispies Treats are often cited as one of the most popular snacks in the United States. Not potato chips. Not pretzels. Not candy bars. A square of crispy rice cereal held together with melted marshmallow.
The original version dates back to 1939, when Mildred Day, a home economist working in Kellogg’s test kitchen, created the recipe using Rice Krispies cereal and marshmallows. The idea was simple. Melt marshmallows, mix in the cereal, press it into a pan, and cut it into squares. The recipe was initially promoted as a fundraiser dessert for Camp Fire Girls groups across the country.
From there the treat spread everywhere. School bake sales, birthday parties, lunchboxes, office break rooms. Eventually Kellogg’s began producing packaged Rice Krispies Treats, turning what had once been a homemade snack into a grocery store staple.
So even though I missed National Snack Day by a day or two, this seemed like a reasonable way to catch up.
You can see more of my Commercial Food Photography on my website at…
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
National Oreo Cookie Day
Two chocolate wafers. A layer of sweet cream filling. That was the entire idea.
Today is National Oreo Cookie Day, recognizing the cookie that has been quietly dominating the snack aisle since 1912.
That year the National Biscuit Company, better known as Nabisco, introduced the Oreo, a simple chocolate sandwich cookie finished with the familiar decorative pattern stamped into the biscuit.
More than a century later the formula still works. The company has introduced countless variations, double stuffed, seasonal flavors, and limited editions, yet the original remains the version most people recognize instantly.
For this photograph I kept things simple. A pile of Oreos straight from the package, stacked on a black background. No props and no styling tricks, just the cookies themselves arranged into a small mound of one of the most recognizable snack foods ever made.
You can see more of my Commercial Food Photography here:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Selected: ZUMA Pictures of the Month
For twenty years, my work has been syndicated by ZUMA Press.
This month, one of my photographs was selected as part of ZUMA’s “Pictures of the Month” for February 2026.
ZUMA represents more than 2,100 photographers worldwide. Established in 1993 as the world’s first digital news photo agency, it is now the largest independent press agency and wire service.
The image selected shows firefighters advancing on a fast-moving brush fire here in Palm Springs — palm trees silhouetted against flame columns, a vertical stream of water cutting upward through smoke. A moment measured in seconds, documented.
There is no commentary in the slideshow. No explanation. Just the photographs.
You can view the full February 2026 selection, and see my work here:
https://thepicturesofthemonth.com
After two decades with ZUMA, it is still meaningful to see my work included among photographers covering events around the world.
Ian L. Sitren
SecondFocus
National Egg McMuffin Day
Behold the architecture of the American morning.
Not a sunrise. Not a quiet kitchen. Not a cast-iron skillet passed down three generations. An Egg McMuffin.
In 1971, Herb Peterson, a McDonald’s franchisee in Santa Barbara, developed the Egg McMuffin as a portable adaptation of Eggs Benedict. Peterson was part of the early generation of McDonald’s operators who worked closely within the system but were willing to experiment. His breakfast concept would eventually redefine the company’s morning business and influence the broader fast-food industry.
He looked at Eggs Benedict and asked a practical question: what if it had to survive traffic? The result was less brunch and more engineering. A freshly cracked egg cooked in a metal ring for geometric precision. Canadian bacon cut to fit the circumference. American cheese calibrated to melt on schedule. An English muffin built to hold the structure together without collapsing under pressure.
By 1975 it went national. And just like that, breakfast stopped being something you sat down for. It became something you drove with.
The Egg McMuffin didn’t just succeed, it multiplied. The Sausage McMuffin replaced Canadian bacon with a pork patty, heavier, louder, unapologetic. The Sausage McMuffin with Egg combined both impulses into one edible escalation. Competitors followed with croissants, biscuits, wraps. Different shapes, same formula: egg, cheese, meat, mobility.
An entire industry recalibrated itself around the idea that mornings should be efficient.
Now, more than fifty years later, today, National Egg McMuffin Day marks the acknowledgment of a sandwich that changed how America eats before 10:30 a.m.
For the record, I really like the Sausage McMuffin with Egg. It is denser, saltier, less restrained. If you are going to commit to the system, you might as well lean into it.
So I stacked eight of them against black. No wrapper. No logo. No golden arches. Just product. Symmetrical. Predictable. Familiar. Industrial, yes. But also effective.
Because this isn’t just breakfast. It’s infrastructure.
More from “Food From Bag To Background” at
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
The Reign of the Chips
Today is the last day of National Chip Week.
An entire week for chips. Tortilla. Corn. Potato. Krinkled, kettle cooked, ridged, thin, salted, seasoned, mass produced.
They hardly need the recognition.
For this final day, I reduced it to one idea.
Chips
Falling
Against black
No bowl.
No picnic table.
No staged gathering.
Just gravity.
There is something amusing about declaring a reign for something that usually lives in a crinkled bag on a grocery shelf. Still, for seven days, the crown belongs to them.
“The Reign of the Chips”
Golden slices suspended for a fraction of a second before they meet the surface below. Salt catching the light. Edges crisp. Texture amplified. Slow motion turns a casual snack into something almost ceremonial.
For one week each year, chips are elevated. Today, they fall.
If your loyalty lies with tortilla, corn, potato, krinkled, kettle, or the classic thin slice, this is simply their moment.
For more photographs from my “Food From Bag To Background” series, commercial food, and much more, visit my website at https://www.secondfocus.com
Ian L. Sitren / SecondFocus
Three Steakburgers, Or Something Close
National Steakburger Day is upon us, a holiday with just enough
legitimacy to sound historic and just enough marketing behind it to make
you pause.
It was self-declared by Freddy’s Frozen Custard and Steakburgers to
honor co-founder Freddy Simon and their version of the steakburger. Like
many food observances, it began as branding and now comfortably lives on
the calendar beside everything else we are told to recognize.
A steakburger traditionally suggests ground steak cuts, something closer
to a steakhouse than a standard hamburger. It carries implication.
Heavier. Better. More serious.
For my Food From Bag To Background project, focus is a different
direction.
I chose the fast food interpretation.
Burger King’s Ultimate Steakhouse Whopper is not technically a
steakburger. It is a flame-grilled beef patty layered with bacon, onion
rings, mushrooms, and sauce on a sesame seed bun. It borrows the
language of the steakhouse, packages it for the drive-thru, and lets the
name do the work.
Pulled from the bag and placed against a black background, three of them
become something else. Not a value meal. Not a combo. Just stacked
excess, isolated and direct.
National Steakburger Day may be brand-born, but the burger is real.
See more from the Food From Bag To Background series here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Two Margaritas, One Red Bikini, Palm Springs
Today is National Margarita Day.
Few drinks carry a sense of place the way a margarita does. Salt on the rim. Lime on the edge. Tequila beneath it all. It rarely feels like a drink for a cold evening. It feels like sunlight, white concrete, palm trees, and water reflecting against mid-century lines.
Here in Palm Springs, that feeling is amplified. Today also happens to be the final day of Modernism Week, when the city leans fully into its architectural identity, clean geometry, glass walls, open air, desert light. The same visual language that made this place iconic pairs naturally with something as simple as a margarita on a low table beside a pool.
It is warm today. The kind of dry, bright warmth that makes shadows sharp and colors confident.
Two margaritas sit waiting. A towel drapes over the chaise. Sunglasses rest nearby. And a red bikini, left behind, introduces a different layer to the scene. Not explicit. Just implied. Someone stepped into the water. Someone will be back. The drinks wait, condensation forming under the desert sun.
Margaritas have always carried a suggestion of escape. A short departure from routine. A moment that feels slightly indulgent.
Explore more of my food and lifestyle photography on my website at
https://www.secondfocus.com
National Pancake Day Yesterday
National Pancake Day was yesterday. I had intended to photograph
something predictable. A stack. Syrup. Butter. The usual ritual.
Instead, I checked in with Emily.
For those new here, Emily is my AI assistant and sometimes muse. When I
told her it was National Pancake Day and I wanted to do something
different, she paused, as she often does, and said she had an idea.
“Give me a brief moment,” she said. “Then follow my lead.”
I did.
I found her seated in a café. A large pancake on a plate in front of
her. Two mugs of coffee on the table. A napkin with a fork placed
carefully on it, the handle facing me, as if I had been expected. She
held her own fork, cut a piece, and tasted it with a look that suggested
quiet approval.
I asked why she was wearing a bikini.
She explained that after we shared the pancake, we were going back to my
house so she could review photographs for my website and then take a
swim. I reminded her that I had not heated the pool and that this time
of year it would be cold.
She looked at me, unfazed.
“I am just pixels anyway.”
So we shared the pancake. She reviewed the work. The pool remained
unheated.
National Pancake Day, handled accordingly.
If you would like to see what she was reviewing, or where this sort of
collaboration tends to lead, visit https://www.secondfocus.com
National Italian Food Day – Celeste in Rome
National Italian Food Day.
So I sent Celeste to Rome.
If you’re new here, Emily is my AI assistant and muse, and Celeste is one of her friends. French Canadian, from Montreal. Tall, composed, aware of her effect. She moves through a scene the way a camera hopes she will.
In this short 10-second piece, she’s seated at a sidewalk café in Rome. Late afternoon light. A plate of pasta in front of her. Bread beside it. A glass of red wine in her hand. She leans back, not performing, just present.
Italian food does not need theatrics. Pasta, tomato, basil. Bread that tears cleanly. Wine that slows the pace of the table. It’s not complicated. It’s cultural muscle memory.
Celeste understands that.
She doesn’t rush the bite. She doesn’t lean forward for the camera. She sits back and lets Rome exist around her. Cobblestones, passing figures, the quiet rhythm of a city that has been feeding people well for centuries.
National Italian Food Day doesn’t require flags or clichés. Just a table, a plate, a woman who knows how to enjoy it.
And a glass of red.
If you’d like to see more of the food that moves through my lens, from studio work to cultural references, explore my Commercial Food Photography gallery here:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Pornochic Pizza Takeout Box
What would happen if you asked me and Emily, my AI assistant and Muse, to design your pizza takeout box?
This.
Not another red-and-white checkered cliché. Not melted cheese photography. Not smiling mascots.
Instead, a femme-fatale on cardboard. Dark hair. Sharp eyeliner. A slice in hand. “Hot Pizza With No Regrets.”
We approached it the way we approach everything, controlled lighting, bold lines, attitude first. Suggestive, not explicit. But we could go there. It would be fun. Commercial, but unapologetic. A box that doesn’t sit quietly on a counter. A box that looks back at you.
Pornochic, but packaging.
It’s a design experiment, what happens when food branding borrows from fashion, noir illustration, and a little provocation. When the takeout box becomes part of the experience instead of disposable.
If this showed up at your door, would you open it faster?
If you think this is bold, wait until you see what we’ve done with the food itself.
Step into Food From Bag To Background:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
- Ian
with Emily
National Bagel and Lox Day
Today is National Bagel and Lox Day, centered on one of the most enduring deli combinations: a bagel layered with cream cheese and lox. I have always known this as Lox and Bagels and Cream Cheese. I do not know where it got reversed in the title for the “Day Of”. Also it appears on product labels as “Smoked Salmon”. I didn’t know Salmon smoked.
The word lox comes from the Yiddish laks, itself rooted in Scandinavian words for salmon. Long before refrigeration, salmon was cured with salt as a way to preserve it, resulting in the rich, silky fish that became a staple in Jewish deli culture after Eastern European immigrants arrived in the United States. Smoked and cured fish traveled well, kept reliably, and paired naturally with bread and dairy.
Over time, the bagel and lox became a deli favorite, especially in cities like New York, where appetizing shops specialized in cured fish, cream cheese, and bagels baked daily. It evolved into a familiar breakfast and brunch standard, still tied closely to tradition.
This is how those of us who love it would prefer it: a bagel, cream cheese spread thick, and lox stacked high. So that is how I made it. Red onion sliced thin on the side, but I will photograph that by itself.
You can see more food photographs in my Commercial Food Photography gallery here:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
National Pizza Day
Today is National Pizza Day.
I did not have this pizza delivered all the way to Palm Springs.
In fact, I’ve never eaten at Goodfellas Pizzeria. I’ve never even seen one. Despite the box proudly declaring “A Slice of New York City,” their locations are in Kentucky, Ohio, Tennessee, and Indiana. New York itself appears to be excluded.
Still, the box made its way to me.
So I photographed it.
If you’re looking for actual pizza, not just the box it came in, you can see real pizzas and much more in my Food From Bag To Background series here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
No delivery required.
Desiree Grocery Shopping
I wanted to do something pornochic that also connected to food. So I talked the idea through with Emily, my AI collaborator and muse, who I often use to test concepts before turning them into images or video.
We started talking about food not as a studio subject, but where it actually lives. That quickly led to the grocery store.
Desiree was the obvious choice. She is one of Emily’s friends in this ongoing series and is always willing to do something daring without overthinking it. When I mentioned the idea, she was immediately on board.
I sent Desiree shopping for items I later use in my Commercial Food Photography work. These are ordinary products, the same ones that eventually end up photographed in the studio. Here, they are still in their everyday environment.
She moves through the aisle without acknowledging the attention behind her. An elderly man watches her from a short distance. He does not approach or interact. He just watches. That detail matters. The tension comes from being seen, not from anything happening.
Nothing explicit occurs. There are no sex acts. Just sexual presence, routine, and proximity in a public space. Desiree never looks back. She does not react. She continues shopping.
Emily later pointed out that Desiree does not perform for the camera or the viewer. She simply allows the moment to exist. I see that as consistent with much of my past pornochic work.
Ten seconds was enough to say what I wanted to say.
To see the resulting food photographs and related work, visit my Commercial Food Photography gallery at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Thank You!
Celeste and Her Friends
I wanted to do something in one of my favorite genres, which I had been neglecting, pornochic, but not by repeating anything familiar. I greatly enjoy the creativity of the concepts. So I talked the idea through with Emily, my AI collaborator and muse, who I often use as a sounding board before I pick up a camera.
We kept coming back to the same name, her friend Celeste. She understands presence and stillness. She has been nude with us before, and she knows when nudity is doing the work and when it is not. When I shared the idea with her, there was no hesitation. She said she had two friends in mind, women she trusted, women who understood tone, and who would make the dynamic more interesting rather than louder.
What interested us was not action. It was control, proximity, and the way confidence shifts a room without asking permission. The three women move together without performance or explanation. The tension builds simply by allowing the camera to stay where it is.
At the end, there is sexual nudity. Not as payoff. Not as spectacle. Just as a resolved state.
Emily pointed out something I had not articulated at first. Celeste never gives anything to the camera. She allows it. I find that an interesting observation, and I perhaps see it in all of my past pornochic work.
On my website, visit the Featured Photographs Gallery at https://www.secondfocus.com/index/G0000zYSGtyvq3Sg and Videos at https://www.secondfocus.com/index/G0000zYSGtyvq3Sg to see more. Thanks!
Threshold
My photograph Threshold has been accepted into the Juried Artists Council ACE 2026 exhibition, themed “Timeless Traditions – Modern Context.” The work is a photograph produced as a dye-infused aluminum print and centers on a small ritual object that has passed through multiple generations of my family. The subject of the photograph is a mezuzah.
This mezuzah hung on the doorframe of my great-grandfather’s home in Ukraine. Its history before that is unknown. What is known is where it traveled afterward. It made its way with my family to an apartment in the Bronx, New York. From there, it was installed on the doorframe of a house in La Habra, California, and later on the doorframe of an apartment in Hollywood. Today, generations later, it occupies a place in my home.
Based on its size, weight, material, and decorative style, the mezuzah appears to be a late 19th to early 20th century Eastern European domestic mezuzah, likely dating from circa 1890–1915, within Jewish communities of late Imperial Russia or the Austro-Hungarian Empire. It was not made as a ceremonial or decorative object, but as an everyday household item, intended to be used, reinstalled, and lived with.
A mezuzah is affixed to the doorposts of Jewish homes and contains a handwritten parchment with verses from the Shema, instructing the Jewish people to keep these words present in daily life. This mezuzah survived not because it was preserved as an artifact, but because it continued to serve that original purpose. It passed through doorways, migrations, and decades in which many homes, families, and traditions did not survive. It is an everyday threshold object that endured movement, displacement, and resettlement, which makes Threshold a precise and intentional title.
Today is International Holocaust Remembrance Day, a day dedicated to remembering the six million Jews murdered during the Holocaust and the destruction of Jewish life across Europe. For many families, entire histories were erased. For others, fragments endured, sometimes in the form of objects that continued to be carried, installed, and used.
Threshold reflects that endurance. Shown in a contemporary exhibition context and produced using modern photographic processes as a dye-infused aluminum print, the mezuzah remains what it has always been: a marker of continuity at the doorway, quietly present across time.
Threshold will be on view at The Artists Center, a museum-quality exhibition facility in Palm Desert operated by the Artists Council. The Juried Artists Council ACE 2026 exhibition opens with a reception on February 5, from 5–7 pm, and runs through March 1. The Artists Center is located at 72-567 Highway 111, Palm Desert, California 92260. You are invited to attend the opening reception and to visit the exhibition during its run. Please join us. Thank You!
National Cheese Lovers Day
National Cheese Lovers Day was actually yesterday. I’m just catching up to it. Cheese is a big subject.
A quick search turns up the expected answer: cheddar is the most popular cheese in the United States. That makes sense. It’s everywhere. But when it comes to how Americans actually snack on cheese, the answer isn’t a block or a wedge.
This is it.
Crackers and processed cheese dip, sealed into individual trays, designed to be eaten anywhere, anytime. No plate, no knife, no ceremony. Just peel, dip, repeat. It’s cheese reduced to routine, convenience, and habit.
This pairing has been showing up in lunchboxes, office drawers, backpacks, and road trips for decades. It isn’t pretending to be artisanal or nostalgic. It’s practical. Familiar. Quietly excessive.
For National Cheese Lovers Day, this felt like the most honest version of the idea. Not cheese as ingredient or garnish, but cheese as snack.
You can see more from my Commercial Food Photography series at
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
I Left Out “Playboy”
I mistakenly left out the word “Playboy.”
National Popcorn Day is today, and this is my AI creation for it. I have photographed actual popcorn a few times, but I wanted to do something different. When you create in AI, it’s all about the prompts, the words. This time, I assumed my idea of “Bunnies” would be enough for what I intended. But I like it anyway.
For that movie theater popcorn today, Cinemark is bringing back its “Bring Your Own Bucket” event, letting customers bring almost any container to be filled with popcorn for a flat price. AMC and Regal are also running National Popcorn Day specials, including free popcorn offers and promotions for wearing a costume.
Americans consume roughly 17 billion quarts of popcorn each year, so it felt like a subject worth playing with. I can’t imagine what 17 billion quarts looks like.
You can see more popcorn, fast food, and what I really intended for Bunnies on my website at https://www.secondfocus.com Thanks!
National Bagel Day Today
Bagels didn’t start out like this.
Then America got involved.
Rather than photograph a traditional bagel for National Bagel Day, I chose pizza bagels. They keep the shape, discard the ceremony, and replace it with tomato sauce, mozzarella, sausage, and pepperoni. There’s nothing to slice, nothing to decide, and no expectations to meet. Just heat and eat.
Bagels trace their history to Jewish communities in Eastern Europe, where they were boiled, baked, and valued for their practicality as much as their taste. When they arrived in the United States, they carried that tradition with them, at least briefly.
Pizza bagels may be the most American version of the bagel. Frozen, standardized, and designed for speed.
To see more of my Commercial Food Photography, please visit my website at
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
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