I Guess It Is Fast Food If It Travels at Freeway Speed
I guess it is fast food if it travels at freeway speed.
That was my first thought when the Oscar Mayer Wienermobile rolled into Palm Springs this weekend.
Although it looks like something from a cartoon, the Wienermobile has a remarkable history. The first one was commissioned in 1936 by Carl Mayer, the nephew of Oscar Mayer, as a rolling advertisement for the company’s hot dogs. Nearly ninety years later, it has become one of the most recognizable promotional vehicles ever created, with generations of Americans spotting it at parades, fairs, festivals, and community events across the country.
The Wienermobile I photographed is one of the newest in the fleet, having been built in 2024. While it carries nearly nine decades of history, it spends most of its time doing exactly what it was designed to do, traveling America’s highways, making appearances, and bringing smiles wherever it stops.
A big part of that tradition belongs to the people behind the wheel. Oscar Mayer selects recent college graduates to spend a year traveling the country as Hotdoggers, serving as ambassadors for the brand. Pictured here are Aiden Jaffe, known as “All Beef Aiden,” and Lauren Trippeer, whose Hotdogger name is “Lucky Dog Lauren.” They spend their year introducing visitors to one of the most famous vehicles on the road and answering questions about the Wienermobile wherever it stops.
I photographed the Wienermobile from every angle, including the surprisingly well-appointed interior, for syndication through ZUMA Press, but this photograph seemed to tell the story best.
You can see more photography, motion, projects, and my Blog at SecondFocus.com
Thank you!
July 12, 2026 FOLLOW UP
It isn’t everyday that photos of the Wienermobile make the “BREAKING NEWS from LAST 24 HOURS”!
My Marilyn Monroe Coverage Featured by ZUMA Press
One of the things I enjoy about working with ZUMA Press is discovering where my photographs appear around the world.
My coverage of Palm Springs’ celebration of what would have been Marilyn Monroe’s 100th birthday has already appeared in a number of news outlets since the event. Today, however, it was especially gratifying to see ZUMA Press feature the story on its own ZUMALand blog after the photographs were published by TGCOM24, one of Italy’s leading multimedia news organizations. TGCOM24 provides around the clock television and online news coverage through its television channel and highly trafficked news website.
The assignment covered Palm Springs’ successful attempt to set a new Guinness World Record for the largest gathering of people dressed as Marilyn Monroe. More than one thousand participants gathered near the city’s iconic Marilyn Monroe statue, creating a colorful event that attracted visitors and media attention from around the world.
You can see more of my photography, projects, motion, and my Blog on my website at https://www.secondfocus.com Thank You!
National Big Boy Day | The Restaurant Mascot That Became an American Icon
Today is National Big Boy Day.
Long before fast food chains covered every freeway exit, Bob’s Big Boy helped define what the American family restaurant could be. When Bob Wian introduced the original double-decker Big Boy hamburger in Glendale, California, in 1937, it became one of the first signature burgers that people would travel specifically to eat. The combination of car culture, diners, drive-ins, and roadside architecture made Big Boy an icon of postwar America.
The smiling Big Boy statue carrying his oversized hamburger became just as recognizable as the restaurant itself. Today, original fiberglass statues have become highly sought-after collectibles, with surviving examples often selling for thousands of dollars. They represent much more than a restaurant chain. They remind people of family dinners, road trips, classic cars, and an era when the neighborhood diner was often the center of the community.
I photographed this statue in the window of an antique store in Julian, California. Between the reflections in the glass and the familiar smile, it seemed to capture exactly what nostalgia looks like. Sometimes an old restaurant mascot can tell a bigger story than the meal it was created to advertise.
There is much more to see on my website, including my food photography, aviation, editorial work, new Motion page, and my regularly updated blog. Visit SecondFocus.com
Softbox Couture
Photographers love the results from large softboxes.
Actually assembling them is another story.
Rods bending, fabric everywhere, people trying not to lose patience, and everyone pretending the process is less irritating than it really is.
So during this studio shoot I could not help but think there is a better use for the softbox.
Instead of becoming part of the lighting setup, it became the wardrobe.
Once we saw it against the black seamless background and studio lighting, it actually worked. Fashion photography mixed with studio satire.
Now subtly animating it adds another layer. The studio atmosphere shifts and the moment feels alive. Reaching back into the past and creating the video I did not at the time.
More photography and visual projects on my website at
https://www.secondfocus.com
Gas Prices

Yesterday I went out and photographed something that’s been sitting in plain sight for a while now, gas prices.
Not one station. Twenty-one of them.
Palm Springs, Cathedral City, Rancho Mirage, Thousand Palms. Different brands, different corners, different neighborhoods. Same story, just moving a few cents up or down depending on where you stop.
Some are still in the mid-$5 range. Others are well into the $6 range. Diesel is pushing even higher.
There’s nothing staged about any of this. Just pulling over, stepping out, and recording what’s there. The signs don’t need interpretation. They’re already doing that on their own.
What struck me wasn’t just the numbers, it’s how normal they’ve started to feel. Prices that would have been shocking not that long ago now just sit there, backlit in red and green, part of the landscape.
Palm trees, clear skies, desert heat, and gas pushing past six dollars a gallon.
This is one day, one pass through my local area. A snapshot. And if things keep moving the way they have been, it’s probably not the top.
You can see the full set of 40 photographs on my website at https://www.secondfocus.com
More of my photography, from editorial work like this to my food projects and everything in between, is there as well.
National Pretzel Day, A Pretzel Den of Decadence
Today is National Pretzel Day.
I had heard rumors of something very decadent and decided to follow up. I checked in with Emily, my AI muse. She said she had also heard rumors and that we should quietly follow along with a friend of hers.
A dark alley. A narrow stairway. A guarded iron door. Then another.
A chaise, warm light, a robe left behind, and enough pretzels within reach to remove any real need to get up again. And there she is, Emily’s friend, fully settled into what can only be described as an indulgence of pretzels.
So the rumors are true.
A secret world of pretzel dens, known only to a few. Filled with indulgence, excess, and the kind of behavior that probably doesn’t need to be explained too closely.
The world of AI pixels can lead you into some interesting places.
But then again, maybe people just like pretzels.
More of my food photography, conceptual work, and everything in between at https://www.secondfocus.com
She Said Don’t Forget the Whiskey
I mentioned my “days of food” series to her, the one where I keep chasing whatever shows up on the calendar next.
She asked what was coming up.
I had just seen International Whiskey Day.
Perfect, she said. Then she laughed, “Don’t forget your camera… and some whiskey.”
That was all it took.
We headed out into the desert, far enough that the road stopped feeling like it belonged to anyone. The abandoned gas station was exactly what you would expect out here, sunburned concrete, rusted structure, nothing staged, nothing fixed.
She stepped into the scene like it had been waiting for her.
Boots in the dust, cowboy hat in her hand, the bottle of bourbon set down beside her like it had always been part of the ground. No effort to dress it up, no effort to explain it.
That is usually where these ideas land.
Something simple on the surface, a calendar day, a bottle, a location. Then it shifts into something else once the camera is there.
That’s where my food photography and everything around it tends to go. Not just the subject, but what happens when you take it somewhere it does not belong.
International Whiskey Day turned into this.
If you want to see where these ideas go next, including the food work, the desert shoots, and the rest of my pornochic photography, take a look on my website at https://www.secondfocus.com
Selected: ZUMA Pictures of the Month
For twenty years, my work has been syndicated by ZUMA Press.
This month, one of my photographs was selected as part of ZUMA’s “Pictures of the Month” for February 2026.
ZUMA represents more than 2,100 photographers worldwide. Established in 1993 as the world’s first digital news photo agency, it is now the largest independent press agency and wire service.
The image selected shows firefighters advancing on a fast-moving brush fire here in Palm Springs — palm trees silhouetted against flame columns, a vertical stream of water cutting upward through smoke. A moment measured in seconds, documented.
There is no commentary in the slideshow. No explanation. Just the photographs.
You can view the full February 2026 selection, and see my work here:
https://thepicturesofthemonth.com
After two decades with ZUMA, it is still meaningful to see my work included among photographers covering events around the world.
Ian L. Sitren
SecondFocus
Toyland, Revisited: Wooden Soldiers
I was telling Emily that I wanted to do my own version of The March of the Wooden Soldiers.
Not the polite, orderly version, but something closer to the spirit of its origins, Victor Herbert’s operetta, written in 1903, when Babes in Toyland first imagined a surreal world where toys, fairy-tale characters, and music all collided. Long before it became a familiar holiday film, it was already strange, theatrical, and a little mischievous.
Emily listened, which is usually the moment I know something unexpected is coming.
“I want to do this one,” the AI muse in her said.
Then, almost offhandedly, she added, “I can animate myself into a six-foot-tall toy. And once I do that, making five of me is easy.”
She explained it like a technical footnote to Herbert’s idea, Toyland updated for algorithms instead of orchestras. One Emily wasn’t enough. This needed a full formation.
“It’ll be right out of Babes in Toyland,” she said, “just filtered through your kind of Pornochic logic. Same fantasy world, different century. Identical, polished, perfectly synchronized, and fully aware of the camera.”
She promised me wooden soldiers who wouldn’t march so much as perform.
Hips shifting side to side. Heads turning. Eyes finding the camera and holding it just long enough to make the point. Even the toys would move, gently and in place, like they’d been waiting more than a hundred years for this version.
“Leave it to me,” she said. “You’ll love it.”
And she was right.
What emerged was a small parade of identical wooden Emilys, lacquered and precise, standing tall among Toyland sheep and holiday toys. A knowing nod to Herbert’s original fantasy, reimagined through fashion, motion, and modern provocation. Less marching band, more editorial choreography.
Toyland hasn’t changed as much as we think. It just learned how to move differently.
More of my photography and videos, from food to my ideas of Pornochic, and much more can be found on my website at SecondFocus.com
National Clean Out Your Frig Day with Desiree
According to Emily, she walked into the kitchen early this morning and found Desiree already leaning into the freezer, conducting what she described as a “thorough inspection.” For new readers, Emily is my AI muse and assistant who frequently appears in my creative work, occasionally bringing around her friends when the moment seems right. This morning’s timing was impeccable.
Today is National Clean Out Your Refrigerator Day, a practical reminder that even the most ordinary kitchens accumulate items that should have been used or discarded long before the holidays arrive. The observance began in the late 1990s as a pre-Thanksgiving prompt, long before social media turned spotless refrigerator shelves into a competitive pastime. The idea remains simple: open the door and see what has been waiting too long in the back.
The photograph began as an image from one of my photoshoots. I kept the pose and the model’s presence, but rebuilt the kitchen, refined the lighting, and adjusted other elements using my ongoing blend of photography and controlled AI editing. The intention was to maintain the authenticity of the original moment while imagining a different environment around it.
If National Clean Out Your Refrigerator Day needed a representative, Desiree might qualify, focused, unconcerned, and entirely comfortable taking the task into her own hands.
Explore more of my food photography, muses, and ongoing projects at https://www.secondfocus.com
Emily Picks Up a Shift and Updates on My Fast Food Project
Fast food has its own place in history and culture. It’s architecture, advertising, Americana. It’s the burger and fries you recognize instantly, no matter where you are.
But because it’s so familiar, it’s easy to overlook. Easy to dismiss as ordinary. It’s everywhere—and that makes it invisible.
I started this project wanting to photograph fast food just as it is. There’s a long tradition of trying to make it look bad—greasy, smashed, uninspired. But the truth is, most of the time it comes out looking pretty good on its own. No styling needed. Just the background and the food.
The goal was to make a photo book and gallery exhibit of large-scale prints. I thought it might take six months. One year later, I’m still going—and I expect it will take at least another year or two. The more I shoot, the more I find. There’s a lot to photograph.
This photo of Emily, my AI assistant, dressed for the job as a retro car hop, felt like the right marker for this stage of the process. She’s been part of the work for about eight months now: researching, writing captions and keywords, helping plan the shots with concepts. It’s still my camera, lighting, and my eye—but Emily shows up 24/7.
In the end, this has been about paying attention to the things we usually pass by—something so common, we’ve stopped really seeing it.
You can see where the project stands so far on my website: https://www.secondfocus.com Thanks!
Bombay Beach Posing With Xtine
Xtine posing in our photo shoot at Bombay Beach at the Salon Sea, One of my all time favorite models at one of my all time favorite places. Xtine, a professional model at over 6 ft tall and a superb photographer herself. Video shot on a Fujifilm X-Series camera. Photo shoot with a Hasselblad digital camera system and Broncolor lighting.
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What do 164 magazine editors, art directors, public relations companies, sportswear companies, supplement companies, fitness websites and even CBS Television have in common? They are all signed up and have used my archive to search for photographs that fit their needs and usage.
Going into 2017 that archive will be greatly expanded with much more from edgy fashion to lifestyle to bodybuilding, fitness, yoga and Palm Springs scenes and more. Just this week I have been asked for photos ranging from a Presidential motorcade to a beautiful woman in a swimming pool. And yes I had what they wanted available! So if you are going to be looking for photographs for your needs, send me a note and you will have access too. Thank You! Send me an e-mail to Ian@SecondFocus.com























