Some more photos working with the Sigma 150-600mm F5-6.3 DG OS HSM | S lens. On my Canon 1DMkIV. The flying photos were shot at 600mm and only 1/200th shutter speed. It was mounted on an Induro monopod and a Foba ball head.
The slower shutter speed is to capture the prop blur. It is indeed a beast of lens and mounted to a I series Canon body makes for a big heavy package. Panning with this at 600mm will take some more practice. Also I will try it handheld. Right now I am thinking this has some real possibilities. Love the color fidelity and reach of this lens. At 600mm on that body it is the equivalent of 780mm.
The aircraft at the Palm Springs Air Museum; a Red Tail P-51 Mustang “Bunny” dedicated to the famed Tuskegee Airmen of World War II. And the C-47 “What’s Up Doc?”.
Just worked with it for the 2nd time. Yes it is sharp and the color fidelity is beautiful! You might look at the lettering on the prop and say it is blurry. Actually that is exactly how it is on the prop. This was at 150mm. The aircraft is at the Palm Springs Air Museum; a Red Tail P-51 Mustang “Bunny” dedicated to the famed Tuskegee Airmen of World War II.
Just some thoughts on air to air photography. Flying with the Palm Springs Air Museum, we were doing July 4th celebration flyovers. Alongside the T-28 Trojan, I was in the backseat of the Red Tail P-51 Mustang “Bunny”. The Mustang is at best, somewhat short on room in the back. There is also a curvature to the canopy that lends itself to a lot of distortion. My choice of gear here made it all work out easier.
I was shooting the latest Fujifilm mirrorless camera, the X-H1 and the Fujifilm XF50-140 lens. The 5-axis in-body stabilization works in conjunction with the lens stabilization, perfect for this kind of shooting. It is also physically smaller and lighter than a full size DSLR which in tight quarters or pulling a couple of g’s makes a huge difference.
This time out I also especially appreciated my camera strap choice. From Vulture Equipment Works especially made for aviation use. A tougher strap does not exist. It is designed with carabiners connecting the strap to the camera. The ability to easily disconnect them helped in easily getting the strap out of the way of my headset cable. When you are getting in, you are buckling up your parachute, shoulder harness and seat belt, camera and headset, so wanting to change how you set things up from when you got in does happen.
At the same time, I was also running two GoPro’s. Each mounted inside to my left and right, pointed 45 degrees front. Got some great video I will show you later.
Anyway just thought I would share. It was great fun! Thanks!