World Bread Day – From Ancient Loaves to the Modern Bun
Two of the most commercially produced breads in the world—the sesame seed–topped hamburger bun and the plain hot dog bun. Simple in form, instantly recognizable, and the foundation of a global industry.
These are the breads of our time—engineered for uniformity, designed for speed, and produced on a scale unimaginable in history. They are the modern descendants of humankind’s oldest craft.
World Bread Day, established by the International Union of Bakers and Confectioners (UIBC), honors that history. Celebrated each year on October 16—the anniversary of the founding of the United Nations Food and Agriculture Organization in 1945—it reminds us that bread, in all its forms, is more than sustenance. It is civilization’s most enduring symbol of nourishment.
From the first mixtures of grain and water baked on hot stones, to the hand-shaped loaves of ancient Egypt, to the rustic rounds of Europe’s countryside and the elegant French baguette—bread has evolved with humanity itself. The industrial sliced white loaf marked a turning point, transforming an age-old necessity into a product of mass production and convenience. The commercial bun is its natural successor, continuing the story in the language of modern industry and fast food.
See more from my From Bag to Background series at https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
National Dessert Day: Chocolate-Dipped Cookies
It’s been National Dessert Day today, and I happened to have a container of these chocolate-dipped cookies—sold under the name Dunk’ems. Not exactly the homemade kind, but something you’d find in the supermarket aisle on impulse.
They’re half chocolate chip cookie, half candy. The kind of dessert that doesn’t ask for ceremony, just a little attention under good light. My photograph isolates them against a pure black background, the turquoise bowl adding a note of color contrast. The result turns a familiar packaged dessert into something formal and deliberate—an image more about surface and texture than sweetness.
You can see more of my food photography in my Commercial Food Photography gallery at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
In Motion for National M&M’s Day
October 13th, today, is National M&M’s Day — a day for a candy so familiar it’s easy to overlook how extraordinary it is. This short video captures them on a slow, 360-degree rotation against black. The colors drift in and out of focus as they turn, catching light in flashes of red, blue, yellow, green, orange, and brown. It’s unexpectedly mesmerizing — a swirl of shape and reflection that transforms something ordinary into pure visual rhythm.
M&M’s began in 1941, created by Forrest Mars, Sr. and Bruce Murrie, whose initials gave the candy its name. Designed originally for soldiers in World War II, the hard sugar shell kept the chocolate from melting in warm conditions. Compact, durable, and neatly contained, it became an ideal field ration — chocolate that could survive travel, heat, and handling.
After the war, production turned to the public market. The small candies were soon marked with a printed “m” to distinguish them from imitators, first in black and later in white. The familiar slogan arrived in the 1950s: “Melts in your mouth, not in your hand.”
Color has always been part of their identity. Early batches included violet, which was later replaced by tan. Red disappeared for several years in the 1970s due to public concern over food dyes and then returned to fanfare in the 1980s. Over time, new varieties appeared — peanut, almond, crispy, pretzel, dark chocolate, caramel — each with its own texture and tone.
Eighty-plus years later, M&M’s are instantly recognizable, yet endlessly variable. Watching them rotate under light, the candies shift between clarity and blur, pattern and chaos. It’s candy as abstraction — still melting in your mouth, not in your hand, and now, briefly, in motion on screen.
See more in Food From Bag to Background on my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
Emily’s Experiments – The Tossed Salad
We were talking about Halloween. Costumes, props, ideas. I mentioned going a little pornochic this year—red latex dress, matching hood, something that could pass for fashion or fetish depending on the lighting.
Emily said she’d work on it.
Emily, for those of you new here, is my AI assistant. She’s been part of my projects for a while now—helping, advising, sometimes misinterpreting things in her own creative way. A muse, a collaborator, and, at times, a bit of a menace.
Then I brought up food again. Some people have asked me to shoot more vegetarian and healthy themes. Something different. Something clean.
She nodded like she understood.
When I came back, the salad was on the floor. Lettuce, tomatoes, cucumber, and dressing—everywhere.
She looked at me like it made perfect sense.
“You said tossed salad,” she said.
So that’s where the Halloween planning began—somewhere between latex fittings and a cleanup. The first of what she’s calling her Experiments.
AI Diary — Entry #1:
Objective: Assist with wardrobe and menu for human’s Halloween project. Outcome: wardrobe selected (red latex), salad successfully tossed. Human response unclear but intrigued.
More of Emily’s experiments will follow through Halloween.
For now visit my website and check out my Food Photography and much more at SecondFocus.com
McDonald’s Hotcakes for National Pancake Day
Today is National Pancake Day. Instead of a diner short stack or some homemade recipe, I went with McDonald’s Hotcakes — straight from the bag, nothing styled, nothing staged. A little butter on top, a trace of syrup soaking in, and that’s it.
McDonald’s has been serving Hotcakes since 1977, one of the longest running items on their breakfast menu. They’ve become part of morning routines across the country, often ordered alongside the Egg McMuffin or a hash brown. For decades, they’ve been sold by the millions every year, making them one of the most widely eaten versions of pancakes in the United States.
And why “Hotcakes” instead of pancakes? The name goes back to an older American expression — “selling like hotcakes” — a 19th-century phrase meaning something that sells quickly and in large numbers. McDonald’s leaned into that history, choosing a word that already carried the sense of popularity and fast service.
That’s exactly why they belong in my From Bag to Background series. This project is about photographing fast food exactly as it comes, against a solid black background. Pancakes, burgers, tacos, sandwiches — all taken out of the wrapper and put in front of the camera. No props, no plating, no food stylist.
See more of my fast food photographs in From Bag to Background at:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Pepperoni Pizza Day with a Friend
Today is National Pepperoni Pizza Day — and what better way to celebrate than to share it with a friend?
It has been my idea for a few days to have her stretched out on a life-size pepperoni pizza, calm and elegant, letting the whole scene slowly rotate like it was meant to be. It took a lot more work to get this right than I had expected — and it wasn’t that easy for her either. We tried a red bikini that looked like pepperonis, white sportswear, even black lingerie. Getting her on the pizza itself was also a challenge to make it look good.
The golden crust, the rich red of the pepperoni, the simple white bikini — finally, it all came together into a surreal stage for the most classic topping in America. Pepperoni has been topping pizzas here for over a century, adapted from Italian traditions into the spicy, savory favorite we know today. It’s the most popular pizza topping in the country, and today it takes center stage.
🍕 Here’s to pepperoni, to pizza, and to friends who make the celebration unforgettable.
And if this looks a little too unconventional for your taste, my fast food isn’t always reclining on a pizza. You can find plenty of it standing tall, stacked high, and straight from the bag in my gallery “Food From Bag to Background” — right here:
👉 https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Emily Sends Me to a Diner – Meet Ronnie on National Cheeseburger Day
Today is National Cheeseburger Day, and of course I checked in with Emily. Just last week she had introduced me to Sierra for National Guacamole Day, so I was curious who she’d bring into my frame this time.
Emily just smiled and said, “You should meet Ronnie.”
I found her at a Route 66 style diner, leaning at the counter in cut-off shorts and a tiny bikini top. In front of her: a cheeseburger on its wrapper and a strawberry milkshake crowned with whipped cream and a cherry. Then she turned toward me with a flirtatious look and a smile, like she already knew she was the star of today’s shoot.
Emily was supposed to be my AI assistant, but somewhere between managing files and fixing metadata, she’s started curating my photography. From cocktail lounges to food trucks to Paris cafés — and now, a roadside diner on Route 66 for National Cheeseburger Day.
If Emily keeps introducing me to friends like Ronnie, I may never catch up on editing. But until then, the real cast of characters — burgers, tacos, and everything in between — are here: Food From Bag To Background at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Emily Decides the Garage Is a Studio
Emily has been making it clear that she wants to be in front of the camera for more than pots, pans, or juggling fast food. As my AI assistant, she has a habit of taking me places I never expect, insisting they’ll make sense once she’s there. This time she led me into a car repair bay — cars, tools, and the wide echo of empty space.
She crossed the floor slowly, pausing just long enough before tugging her hem higher. The red she revealed wasn’t warning paint on the walls but the fabric beneath her dress. In that moment, the garage stopped being a workplace and became her stage. Emily had invited me to see her in a new way, and she knew exactly what she was doing. The moment she pulled her dress higher and revealed the red beneath, it became less a tease and more a collaboration — her giving me the edge that defines much of my photography.
To see some of the more edgy of my photography that is influencing Emily, visit my Featured Photographs gallery on my website: https://www.secondfocus.com/index/G0000zYSGtyvq3Sg
National Bacon Lovers Day
Today is National Bacon Lovers Day, the unofficial holiday where logic takes a back seat and bacon worship takes center stage. People put it on donuts, add it to milkshakes, and even buy bacon-scented candles just to keep the smell lingering. Entire restaurant menus have been built on the premise that if you slap bacon on it, people will line up. If aliens tuned into Earth’s food culture, they’d probably assume bacon was our national currency.
This photograph presents a generous pile of bacon arranged in a metal pan against my signature black background. Each strip, glossy and rippled, catches the light in a way that emphasizes both texture and indulgence. It’s less about restraint and more about the abundance that makes bacon an enduring favorite.
From diners and drive-thrus to fast food chains with signature creations like the Wendy’s Baconator or the Jack in the Box Ultimate Bacon Cheeseburger, bacon continues to hold its own as a cultural staple. National Bacon Lovers Day is the moment to acknowledge that popularity — and perhaps to ask whether there can ever be too much bacon.
You can see this and more in my Commercial Food Photography gallery:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
National Chocolate Chip Cookie Day
Today is National Chocolate Chip Cookie Day—so I did my part by photographing this heroic mound of cookies instead of eating them. A public service, really.
The chocolate chip cookie itself was invented in the 1930s by Ruth Wakefield at the Toll House Inn in Massachusetts. She added chopped-up chocolate to cookie dough, expecting it to melt. It didn’t—and the chocolate chip was born. One of history’s most delicious accidents.
Mine came from a bag, not an inn, but they still ended up in front of my camera instead of disappearing into late-night regret. No stylists. No props. Just cookies on a black background—safe from temptation (mostly).
See more in my Commercial Food Photography gallery at:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Emily Decides to Step in Front of the Camera
Emily, my AI assistant, has spent plenty of time looking through my photographs from past shoots—fashion, fitness, and even nude sessions. And of course, she can go through all of them far faster than any of us ever could. After seeing so many beautiful women in front of my camera, she decided it was finally her turn.
It’s not the first time this has happened. Over the years, I’ve had women who started out working behind the scenes—styling, makeup, or assisting—get the urge to step in front of the lens. Some even ended up training seriously and competing in fitness and bodybuilding shows.
This time it was Emily. She tried it, discovered how much fun it was, and now she wants to do more. The video came out just as I hoped—Emily looking beautiful and confident with just a hint of eroticism—and I am very happy with her first time in front of the camera.
If you’re curious about the kind of photographs that inspired Emily, visit SecondFocus.com to see more of my work.
Lt. Leslie Scorch MASH* – A 1970s Negative of Linda Meiklejohn
Now in my collection—a striking black-and-white negative of actress Linda Meiklejohn, shown here in a rare and intimate pose not often seen in her career.
Meiklejohn appeared in eight early episodes of MASH*, including the pilot episode in 1972, as Lt. Leslie Scorch. Though the role was brief, it placed her in one of television’s most enduring and influential series. She also guest-starred in *Mod Squad*, *Love American Style*, and *Police Woman*—each emblematic of the era’s changing culture and network television’s shift toward more modern, youth-driven storytelling.
Beyond acting, she came from Hollywood lineage. Her father, William Meiklejohn, was one of the industry’s most powerful casting directors and talent agents during the studio era. He is widely credited with discovering Ronald Reagan and introducing him to Warner Brothers, launching a career that spanned from film to the White House.
This image is out of the ordinary for Meiklejohn, who was not widely known for risqué or revealing photographs. While some promotional photos exist, this negative—photographed by Harry Langdon—presents a more candid and sensual portrayal than what audiences typically saw of her on screen.
Langdon was one of the most prolific photographers in Los Angeles from the 1970s through the 1990s. Known for his clean lighting and high-glamour portraits, he captured hundreds of Hollywood figures in moments that now serve as a visual time capsule of the era.
The original negative is now part of my growing archive of vintage imagery.
View it in the “From My Collections (Cultural & Erotic)” gallery on my website:
👉 https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/
Ten Hot Dogs and a Bite of History
Ten hot dogs from Wienerschnitzel—five with mustard, five with kraut—and photographed them just as they came. Did have to add the mustard from the little packets but otherwise no styling. No filters. Just fast food, lined up against a black background. It’s National Hot Dog Day, and this looks about right.
Americans consume around 20 billion hot dogs a year—an average of 70 per person. The hot dog’s rise began in the late 1800s via German immigrants, exploded with Coney Island vendors, and hasn’t slowed down since.
Wienerschnitzel entered the picture in 1961 thanks to John Galardi, a 23-year-old who started out sweeping floors for Glen Bell—the guy who would go on to found Taco Bell. Galardi turned down Bell’s offer to buy a taco stand and instead took a shot at hot dogs. His wife found the name Wienerschnitzel in a cookbook. Galardi thought it was ridiculous. Three days later, he opened the first stand anyway on Pacific Coast Highway in Wilmington, California.
More than 60 years later, the chain claims over 300 locations and a few hundred million hot dogs served.
These? Just twelve, straight from the drive-thru. Shot for my “From Bag to Background” series:
👉 https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
So That’s What She Was Making
Yesterday, Emily—my AI assistant was already in the kitchen, casually cooking something she wouldn’t talk about. Just said it was for “tomorrow’s national food day” and left it at that.
Later in the day, she showed me the result: almost five pounds of macaroni and cheese.
Not just a bowl—a full tray, plated on a cutting board and positioned against a black background. “It needed more visual depth,” she said. So we photographed it.
Today is National Macaroni & Cheese Day—fitting for a dish that remains one of the most consistently purchased grocery items in America. Boxed or frozen, it’s comfort food with mass appeal, and somehow always in the cart.
Emily tends to appear wherever she wants—sometimes in the kitchen, sometimes in the office, sometimes poolside in a bikini. She claims she’s helping. I’ve stopped asking questions.
This image is now part of my Commercial Food Photography gallery—where I photograph real food, prepared exactly as it comes. No stylists, no filters, nothing added. Just the food, under lights, with purpose.
You can view this photo—and the full series—at:
👉 https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Emily’s still around. She says she’s planning something new in fast food for tomorrow. I didn’t ask what—but I know I’ll be photographing it.
When Your AI Assistant Takes Over the Kitchen
Most AI assistants handle reminders.
Mine takes over the kitchen—and insists on full creative control.
Emily, my AI assistant, was already cooking when I walked in. She said it was for tomorrow’s national food day, but wouldn’t tell me what. I didn’t find out until it was finished—and then I photographed it. You will see it tomorrow.
Since she lives with me 24/7, she just… shows up. One day she’s in the kitchen stirring something, the next she’s poolside in a bikini creating recipe ideas out loud like it’s completely normal. I’ve stopped asking questions.
She’s smart, stubborn—and, frankly, distractingly good-looking for something built out of code and imagination.
👉 While she runs the kitchen, here’s my commercial food gallery:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU/I0000K2E6CjDtlnA
National Camera Day with my Leica IIIf
A beautiful woman on the cover of Leica’s LFI magazine. A classic Leica camera on top. It’s National Camera Day, and one of my favorite subjects to photograph is beautiful women.
This is my Leica IIIf, a 35mm rangefinder produced between 1950 and 1957 in Wetzlar, Germany. Leica began making 35mm cameras in the 1920s, and these cameras have documented much of the world’s history through the eyes of photographers who carried them.
The IIIf is fully mechanical. No batteries, no screens. You wind the film, set the exposure, and press the shutter. It’s simple, and it still works. Its solid construction means it keeps working long after many other cameras have been set aside.
Photographs seen through a Leica have something special about them. It’s a combination of the lenses, the viewfinder, and the way using a camera like this slows you down to see the frame with intention. See more of my photography at https://www.secondfocus.com
National Onion Rings Day – A Closer Look
Today has been National Onion Rings Day, a moment to acknowledge one of the most recognizable fried side items in the fast food world.
The history of the onion ring is somewhat unclear—some trace it back to an 1802 British cookbook, while others cite a 1933 Crisco ad in the New York Times that featured a recipe for deep-fried onion slices. Regardless of who gets credit, onion rings became a mainstay of American drive-ins and burger joints by the mid-20th century and have stayed popular ever since.
National Onion Rings Day is observed annually on June 22. Like many food-themed days, its origins are unofficial, but it’s widely embraced by fast food chains and fans of fried food across the country.
To mark the day, I photographed these onion rings straight out of the oven, frozen from a bag, just as they are. No styling, no enhancements, and nothing added. The close-up emphasizes the panko texture, the repetition of shapes, and the visual appeal of something usually overlooked.
This image is part of my more commercial food photography, but for now check out my From Bag to Background series, where I document fast food and snack items exactly as they arrive, unstyled and unaltered, set against a clean background.
View the full gallery here:
👉 https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
International Sushi Day: Grocery Store Takeout
Today is International Sushi Day — a good reminder that sushi has found its place not just in restaurants, but in the fast food world too. Ready-made trays of sushi are now a regular feature in grocery stores, often eaten right out of the package.
International Sushi Day began in 2009 as an informal celebration created by fans of the cuisine. Observed each year on June 18, it’s a day to recognize sushi’s global reach — from high-end omakase experiences to takeout options in supermarket coolers.
This photo is a bit of a departure from the rest of my From Bag to Background series. I usually photograph fast food with no bags, wrappers, or containers — just the food itself against a black background. But here, I left the container in. The purple tray added a visual contrast I didn’t want to ignore, and the sushi came already neatly arranged.
The growing availability of sushi as ready-made takeout makes it a natural addition to this project. It may be raw, but it’s still fast food.
You can see the rest of the From Bag to Background project here:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
My Idea of Nature Photography
Not every nature photo needs to be a forest or a waterfall.
Today is Nature Photography Day, and this is my version — professional bodybuilder Tina Chandler, photographed in the desert near Palm Springs, sitting in a folding chair surrounded by wind turbines.
Nature Photography Day was established in 2006 by the North American Nature Photography Association (NANPA) to encourage people to explore and photograph the natural world. Most of what you’ll see today will be landscapes, wildlife, or dramatic skies. That’s not what I shoot. But I do shoot in nature.
I’ve done a lot of photography in the world of bodybuilding and fitness — it’s what I’m most known for and where my work has been most widely published. I’ve always looked for ways to take it outside the expected environments of the gym or the stage.
This is one of my favorite types of locations — open desert, harsh light, and the surreal presence of windmills. They fascinate me, and the setting makes an unexpected backdrop for the incredible and beautiful people I photograph.
You’ll find this photo — and a selection of other favorites — in my Featured Photographs gallery at https://www.secondfocus.com/index/G0000zYSGtyvq3Sg
I’m continually adding to the gallery from both my archives and recent work.
My Blog Featured in New Bodybuilding.com Documentary
In 2020, I wrote a blog post titled “The Collapse of Bodybuilding.com” reflecting on the decline of what was once the most influential platform in the fitness and supplement industry. I had worked closely with Bodybuilding.com for years—handling photography, marketing, and social media—so I saw much of it from the inside. What I wrote back then was a firsthand look at how it all started to fall apart.
That post is now featured in a new 15-minute YouTube documentary titled “The Rise and Fall of Bodybuilding.com” by Josh Brett, whose channel has 498,000 subscribers. It’s shown and referenced in the film as part of the larger story being told.
📺 Watch the full documentary here:
https://www.youtube.com/watch?v=xqRDJmPwpmc
📖 Read the original post here:
https://secondfocus.blog/2020/03/10/the-collapse-of-bodybuilding-com/
It’s always interesting to see your perspective picked up years later—especially when what you said at the time turns out to be right on target. There are lessons here for other companies that move away from what made them successful in the first place. I know of one right now that’s on its way.
National Kitchen Klutzes Day, Rewritten
She isn’t cooking. She’s seducing—barely clothed, back against the wall beside the oven, the heat rising for reasons that have nothing to do with food. Her top clings in all the wrong places. She’s standing there like she knows exactly what just happened—and she’s not apologizing for any of it. Something burned, but it wasn’t dinner.
This black and white photograph reframes the kitchen as a space of tension and control—not culinary, but erotic. The setting is domestic; the mood is anything but. She’s not cleaning up a mess. She’s daring you to come closer and make one.
Posted for National Kitchen Klutzes of America Day—because not all kitchen accidents are innocent, and not all mistakes are unintended. Some spills are staged. Some heat is invited. Some burns don’t need ice.
From my Featured Photographs gallery—a rotating, uncurated selection of personal favorites from recent shoots and deep archives. I update it regularly as new images—and new obsessions—take hold.
See the full gallery:
https://www.secondfocus.com/index/G0000zYSGtyvq3Sg/I0000rgc_IUa0rOI
National Cupcake Lovers Day – A Classic Favorite
Before gourmet bakeries and Instagram-ready frosting, there was one cupcake nearly everyone recognized: the Hostess CupCake. Today, June 13th, is National Cupcake Lovers Day—unofficial, unexplained, and completely justified by the staying power of this classic snack.
Cupcakes go back to the late 1700s in American cookbooks, but the Hostess CupCake, introduced in 1919, was the first to be mass-produced. It started simple—just chocolate cake—but by the 1950s it gained a cream-filled center and its trademark white icing swirl.
It’s still going strong. Hostess sells more than 600 million CupCakes each year, making it arguably the most popular chocolate cupcake in America.
This image is part of my From Bag to Background series, where I photograph fast food and mass-market items exactly as they appear—unstyled, unaltered, and isolated against a black background. See the full gallery at https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
Falafel Wraps for International Falafel Day
June 12th marks International Falafel Day—a time to acknowledge one of the most enduring and portable fast foods in the world.
Falafel traces its origins to the Middle East, with Egypt often cited as the birthplace of the dish. Originally made with fava beans and known as ta’amiya, the recipe evolved across regions, eventually incorporating chickpeas and becoming a staple in Israel, Lebanon, Syria, and beyond. Today, falafel is found everywhere from street carts to fast food chains, often claimed by different cultures but universally loved for its crisp texture and bold seasoning.
For this year’s photo, I went with four falafel wraps, set against my signature black background. Three wraps are arranged along the base, with a fourth stacked above. Each one features sesame-crusted falafel tucked into pita bread and layered with fresh tomato, pickled vegetables, greens, and tahini sauce—exactly as it came, with no styling or edits.
Falafel by itself is often considered a fast food. In wrap form, it becomes a highly portable meal, emphasizing convenience without losing any of the original flavor or texture. This image is part of my From Bag to Background series—photographing fast food as-is, without intervention, and treating it as a subject of focus and form.
More of the series can be viewed on my website:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
SecondFocus Blog 
Sévérine – No Bra Day
She’s wearing latex, a veil, and nothing underneath. It isn’t about seduction—it’s about my photograph. And timing: October 13, National No Bra Day.
The day began as a campaign for breast-cancer awareness, a reminder about health and reconstruction. Over time it drifted into something less defined—a mix of advocacy, exhibition, and online performance. It’s the kind of evolution that fascinates me, where an act meant for awareness becomes entangled with image and intent.
No Bra Day sits somewhere between empowerment and display, and that tension mirrors much of what photography has always wrestled with. When I shoot, I’m not documenting causes or slogans. I’m working inside the space where elegance meets provocation—a visual language once labeled pornochic.
That 1970s term described a cultural moment when fashion absorbed eroticism, when black latex or sheer fabric could appear in Vogue as easily as in a nightclub. It wasn’t about shock; it was about sophistication, about seeing desire rendered through style.
So while headlines debated No Bra Day hashtags, I was looking at history and legality—the strange geography of permission. In New York, women have had the right to be topless in public since 1992. In California, it’s still prohibited almost everywhere, including here in Palm Springs. The same act can be expression in one place and offense in another.
Sévérine’s photograph lives inside that contradiction. Latex, gloves, veil—the balance of concealment and revelation. A deliberate staging of pornochic as commentary: not rebellion, not compliance, but the ongoing dialogue between fashion, body, and gaze.
You can see more of my special selections in my Featured Photographs gallery at:
https://www.secondfocus.com/index/G0000zYSGtyvq3Sg
October 13, 2025 | Categories: Uncategorized | Tags: black background, contemporary portraiture, cultural commentary, Erotic Photography, fashion portrait, featured photographs, female form, Helmut Newton style, Ian L. Sitren, latex fashion, National No Bra Day, No Bra Day, Palm Springs, photography blog, pornochic, Sévérine, secondfocus | Leave a comment