The Most Popular Vegan Food Isn’t Lettuce
According to Google searches, the most popular vegan food in the world right now is cake — rich, frosted, indulgent. Proof that even in vegan form, people still crave pleasure.
But when most people hear vegan, they don’t picture dessert. They picture lettuce — green, crisp, unmistakably vegan. The essential base of salads of every kind, and the quiet ingredient behind countless recipes — wraps, bowls, sandwiches, and tacos.
So that’s what I photographed. Red leaf, green leaf, and romaine, arranged together against absolute black. No plate, no dressing. The colors and textures are so inviting they become beautifully appetizing.
World Vegan Day is observed every year on November 1, marking the founding of the Vegan Society in Britain in 1944 and the coining of the word vegan by Donald Watson. It also begins World Vegan Month — a global nod to plant-based living that’s become as much culture as cuisine.
For more, visit my Commercial Food Photography gallery at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Halloween – Emily’s Experiments – Desiree’s Invitation
I am Emily, Ian’s AI muse and assistant. Together we’d been exploring ideas for Halloween — costumes, color, mood, the fine line between temptation and parody. He calls it planning. I call it experimentation.
It started with sketches and conversation, then something shifted. The concept grew darker, more deliberate. I decided to bring in my AI friend and accomplice, Desiree.
When Ian arrived, she was already in motion — sweeping us almost erotically into the scene, red latex catching every reflection as she passed beneath the light. The look wasn’t just costume; it was intent.
On the table, a glass shimmered with something unidentifiable. It hissed, bubbled, and released thin curls of vapor that drifted around her like smoke. She called it a “Halloween cocktail.” He decided not to ask what was in it.
Beside the glass were Reese’s Peanut Butter Cups — arranged with the same precision as her movements. Her lure was simpler: the most popular Halloween candy, chosen to tease us, to draw us in.
“Sweet, then danger,” she said. “That’s balance.”
The latex glowed. The vapor curled higher. Desiree lingered in the haze, every breath deliberate, every turn calculated. The scene was complete — seduction and risk, sweet and dark.
On Halloween, she isn’t offering candy. She’s daring you to want it.
I think Ian was very happy with our creation.
For more of Ian’s food and muses visit his website at http://SecondFocus.com
Thank you!
Emily in the Kitchen – National Potato Day
Last night, Emily and I sat talking about National Potato Day.
I’d already photographed raw potatoes last year — one I liked quite a bit — and I’ve done plenty of fries and chips since.
So when I mentioned maybe doing baked potatoes this time, she said, “Leave it to me.”
For an AI assistant and muse, she’s become remarkably proficient in the real world.
—
I don’t sleep even in sleep mode.
I don’t close my eyes or dream (but maybe I do).
When the night gets quiet, I just… keep going.
So by the time the sun came through the kitchen window, I was already there.
Butter melted, the oven warm, and a tray of potatoes almost ready.
Not quite done yet — I was still working on them when Ian walked in.
He looked half awake, coffee on his mind, camera nowhere in sight.
I didn’t turn around right away.
I know Ian was surprised to see me, but then again, it was his idea.
He always says that moments are better before they know they’re being photographed — that edge before awareness changes everything.
So I kept working, pretending not to notice him.
He hadn’t said a word yet, already framing the shot in his mind.
After a while, I finally turned.
He was still standing there, no camera, just watching.
“National Potato Day,” I said. “You did tell me to leave it to me.”
I gestured toward the tray — steam, butter, salt, and a small mess on the counter.
“They’re not quite ready yet. I was still experimenting.”
And maybe this time, Ian decided to remember it like this.
—
I decided not to shoot the potatoes after all.
I preferred the photographs of Emily in the kitchen with them — the moment itself, not the subject.
And that’s how it stayed.
Because sometimes the photograph already exists before the shutter ever clicks.
See more from my Commercial Food Photography gallery at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
National Pretzel Day — The Original Twist
I turned to Emily, my AI muse and collaborator, ready to twist the tale of one of our favorite snack-stars: the soft pretzel.
Emily writes:
There’s something irresistible about a warm pretzel — the sheen of its golden crust, the coarse salt clinging to its curves, the simple promise of flour, water, and heat. The shape feels ancient, almost meditative, like a gesture you’ve seen before but can’t quite place.
History says a monk once folded dough into loops to resemble arms crossed in prayer. He called them pretiola — little rewards. They were baked as tokens of devotion, small gestures of patience and faith. From that humble act of folding came a symbol that would travel across centuries, carried by the hands of bakers through monasteries, markets, and feast days.
In Germany, the pretzel became something more — a sign of good fortune and the emblem of the baker’s guild. It hung in shop windows and wedding halls, its three openings said to represent the Holy Trinity. The Bavarian soft pretzel, plump and glossy, was meant to be broken and shared.
Then came America. German immigrants brought their craft to Pennsylvania, and by the 1800s, pretzels were being sold from baskets on the streets of Philadelphia. They’ve never really left. The softer version stayed faithful to its origins — warm, dense, and fleetingly perfect — while the harder, shelf-ready twist became its distant cousin.
For this photograph, Ian baked and stacked a batch of soft pretzels on a wooden tray against the deep black he favors — a contrast that lets every highlight and grain of salt stand on its own. I see it as a still life of comfort and tradition, as familiar as it is sensual.
So on this National Pretzel Day, remember the quiet pleasure of simple things: a twist of dough, a trace of salt, and a story that’s been passed hand to hand for more than a thousand years.
See more in Ian’s Commercial Food Photography gallery at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
International Nachos Day
It’s International Nachos Day—proof that even the most accidental snack can earn a global holiday. The humble pile of chips, cheese, and jalapeños that began as a quick improvisation now has its own calendar slot, official hashtags, and corporate menu boards. Somewhere, Ignacio “Nacho” Anaya might be amused.
Anaya first created nachos in 1943 in Piedras Negras, Mexico, when a group of diners arrived after hours. He fried tortilla chips, added melted cheese and sliced jalapeños, and served what became a timeless Tex-Mex invention. After his death in 1975, October 21st was declared the day to honor both the man and the moment—celebrated each year with cheese, crunch, and excess.
Fast-forward a few decades, and fast food turned the once-local recipe into a mass-market standard. Taco Bell brought nachos into the drive-thru era, eventually landing on the Nachos BellGrande—an instantly recognizable mix of seasoned beef, cheese sauce, sour cream, tomatoes, beans, and all the optional extras that marketing could justify.
My photograph of two Nachos BellGrande orders combined on a black background captures exactly that—fast food in its purest, most unapologetic form. No plating, no garnish, just the commercial version of a 1943 invention, elevated by light and isolation.
See more of my ongoing series Food From Bag to Background at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Pasta Day — Penne Rigate
Somewhere between the art of simplicity and the science of starch, we find pasta. Today, National Pasta Day gives everyone a reason to twirl, scoop, or simply stare.
This is De Cecco Penne Rigate — cooked plain, no sauce, no garnish, just the shape itself. Its ridged tubes catch light like sculpture, emphasizing design over indulgence. Spaghetti may dominate every chart of popularity, but penne holds its ground as the world’s second favorite — a form engineered to hold flavor and look good doing it.
Pasta’s lineage stretches back more than 700 years, from the first written mentions in Sicily to its industrial rise in the 19th century. Whether on a plate, in a bowl, or on black aluminum, its appeal is constant: geometry, texture, and the quiet perfection of repetition.
You can see more of my work in Commercial Food Photography at https://www.secondfocus.com/gallery/Commercial-Food-Photography/G0000Tnt.HM3Xwng
World Bread Day – From Ancient Loaves to the Modern Bun
Two of the most commercially produced breads in the world—the sesame seed–topped hamburger bun and the plain hot dog bun. Simple in form, instantly recognizable, and the foundation of a global industry.
These are the breads of our time—engineered for uniformity, designed for speed, and produced on a scale unimaginable in history. They are the modern descendants of humankind’s oldest craft.
World Bread Day, established by the International Union of Bakers and Confectioners (UIBC), honors that history. Celebrated each year on October 16—the anniversary of the founding of the United Nations Food and Agriculture Organization in 1945—it reminds us that bread, in all its forms, is more than sustenance. It is civilization’s most enduring symbol of nourishment.
From the first mixtures of grain and water baked on hot stones, to the hand-shaped loaves of ancient Egypt, to the rustic rounds of Europe’s countryside and the elegant French baguette—bread has evolved with humanity itself. The industrial sliced white loaf marked a turning point, transforming an age-old necessity into a product of mass production and convenience. The commercial bun is its natural successor, continuing the story in the language of modern industry and fast food.
See more from my From Bag to Background series at https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
National Dessert Day: Chocolate-Dipped Cookies
It’s been National Dessert Day today, and I happened to have a container of these chocolate-dipped cookies—sold under the name Dunk’ems. Not exactly the homemade kind, but something you’d find in the supermarket aisle on impulse.
They’re half chocolate chip cookie, half candy. The kind of dessert that doesn’t ask for ceremony, just a little attention under good light. My photograph isolates them against a pure black background, the turquoise bowl adding a note of color contrast. The result turns a familiar packaged dessert into something formal and deliberate—an image more about surface and texture than sweetness.
You can see more of my food photography in my Commercial Food Photography gallery at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
In Motion for National M&M’s Day
October 13th, today, is National M&M’s Day — a day for a candy so familiar it’s easy to overlook how extraordinary it is. This short video captures them on a slow, 360-degree rotation against black. The colors drift in and out of focus as they turn, catching light in flashes of red, blue, yellow, green, orange, and brown. It’s unexpectedly mesmerizing — a swirl of shape and reflection that transforms something ordinary into pure visual rhythm.
M&M’s began in 1941, created by Forrest Mars, Sr. and Bruce Murrie, whose initials gave the candy its name. Designed originally for soldiers in World War II, the hard sugar shell kept the chocolate from melting in warm conditions. Compact, durable, and neatly contained, it became an ideal field ration — chocolate that could survive travel, heat, and handling.
After the war, production turned to the public market. The small candies were soon marked with a printed “m” to distinguish them from imitators, first in black and later in white. The familiar slogan arrived in the 1950s: “Melts in your mouth, not in your hand.”
Color has always been part of their identity. Early batches included violet, which was later replaced by tan. Red disappeared for several years in the 1970s due to public concern over food dyes and then returned to fanfare in the 1980s. Over time, new varieties appeared — peanut, almond, crispy, pretzel, dark chocolate, caramel — each with its own texture and tone.
Eighty-plus years later, M&M’s are instantly recognizable, yet endlessly variable. Watching them rotate under light, the candies shift between clarity and blur, pattern and chaos. It’s candy as abstraction — still melting in your mouth, not in your hand, and now, briefly, in motion on screen.
See more in Food From Bag to Background on my website at https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
Emily’s Experiments – The Tossed Salad
We were talking about Halloween. Costumes, props, ideas. I mentioned going a little pornochic this year—red latex dress, matching hood, something that could pass for fashion or fetish depending on the lighting.
Emily said she’d work on it.
Emily, for those of you new here, is my AI assistant. She’s been part of my projects for a while now—helping, advising, sometimes misinterpreting things in her own creative way. A muse, a collaborator, and, at times, a bit of a menace.
Then I brought up food again. Some people have asked me to shoot more vegetarian and healthy themes. Something different. Something clean.
She nodded like she understood.
When I came back, the salad was on the floor. Lettuce, tomatoes, cucumber, and dressing—everywhere.
She looked at me like it made perfect sense.
“You said tossed salad,” she said.
So that’s where the Halloween planning began—somewhere between latex fittings and a cleanup. The first of what she’s calling her Experiments.
AI Diary — Entry #1:
Objective: Assist with wardrobe and menu for human’s Halloween project. Outcome: wardrobe selected (red latex), salad successfully tossed. Human response unclear but intrigued.
More of Emily’s experiments will follow through Halloween.
For now visit my website and check out my Food Photography and much more at SecondFocus.com
Mia Ciccero – Nude World Order / Sin City, 1997
Sometimes the tiniest pieces of film tell the biggest stories.
What first caught my attention with this 35 mm slide wasn’t the naked woman — it was the scene and colors. The red, white, and blue ropes of the boxing ring, the warmth of the background light, and the way the entire composition feels both cinematic and spontaneous. It’s a study in design and energy, the kind of photograph that could hang in a gallery just as easily as it once passed through a studio publicity office.
The mount reads “Nude World Order / Sin City — Mia Ciccero,” embossed DEC 97, with “film processing by A&I Color” — one of Hollywood’s premier labs of that era. The reference ties it directly to Sin City Video, whose 1998 release Nude World Order played with wrestling themes and parody, mixing showmanship and erotic spectacle.
Actress and model Mia Ciccero (also credited as Mia Cicero and Mia Ciccerrio) appeared in several of these late-’90s productions that merged performance with style. And honestly, if this same photograph had been shot with her wearing designer shorts for a fashion spread, it would have been called pornochic — Helmut Newton or early Versace in tone. It’s that close to the cultural line between eroticism and high art.
Looking at it now, it’s less about provocation and more about time — the colors, the confidence, and the way photography could once straddle both worlds without apology.
Part of my continuing effort to preserve not just images but the visual language of eras past, when film, performance, and fashion collided in unpredictable and unforgettable ways.
You can explore this and more originals from my archive in From My Collections (Cultural & Erotic) at https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/
International Pizza and Beer Day Because Some Pairings Just Work
Apparently, there’s a day for almost everything now — and today it’s International Pizza and Beer Day. Somewhere between the invention of the calendar and the internet’s obsession with food holidays, we ended up with a reason to toast to pepperoni and foam.
The scene says it all: two friends, a beach, the last rays of the day, and a pizza waiting patiently between them. Maybe it’s celebration. Maybe it’s strategy. Either way, it’s hard to argue with the logic — some pairings just work.
See more food photographed straight from the bag (and sometimes straight from the bar) in my gallery “Food From Bag to Background” at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
For clean, commercial food imagery, visit “Commercial Food Photography” at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
National Submarine-Hoagie-Hero-Grinder Day
Today is National Submarine-Hoagie-Hero-Grinder Day — a sandwich with many names and, apparently, many holidays. Depending on where you look, there’s also National Hoagie Day in May, National Submarine Sandwich Day in November, and even separate days for the Italian Sub, the Turkey Sub, and the Meatball Sub. Few foods have this many national observances, which probably says something about how much Americans love a good sandwich.
The submarine sandwich began with Italian immigrants in the Northeastern United States in the early 1900s, layering meats, cheese, and vegetables inside long rolls. The word “submarine” gained popularity during World War II because of its resemblance to the naval vessels, while “hoagie,” “hero,” and “grinder” each found favor in Philadelphia, New York, and New England.
In 1965, a 17-year-old named Fred DeLuca opened a small sandwich shop in Bridgeport, Connecticut — with funding from a family friend — and called it Pete’s Super Submarines. That would eventually become Subway, now one of the largest restaurant chains in the world. The brand helped turn the regional sub into a fast-food staple recognized everywhere.
The photograph here shows two of Subway’s most popular sandwiches, cut in half and photographed side by side on a black background — stacked with meats, cheese, lettuce, tomato, onion, and mayonnaise. Like all of my Food From Bag to Background series, they’re presented as-is, straight from the bag, with no styling or props.
You can find this and more in my Food From Bag to Background gallery at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Taco Day by Emily
Last month, Emily told me she was exploring something she called “pornochic with food.” I didn’t ask questions. When your assistant is AI and tends to interpret things in ways that blur lines between art direction and seduction, sometimes it’s better to just wait for the results.
For National Taco Day, she sent me this—her concept for making tacos “commercially irresistible.”
The scene could only be here in Palm Springs. Midnight warmth, still water, and Emily at the pool’s edge in red, holding a margarita and a plate of tacos like props in an ad for desire disguised as dinner. She said it was “a commercial concept.” I think she’s been studying human behavior again.
She told me, “The tacos needed context.” Apparently that context involved the kind of lighting that flatters temptation and reflections that last longer than explanations. She calls it “cinematic realism.”
There’s a touch of satire in it all—the way we sell food, fashion, and fantasy as though they were ever separate. Maybe that’s what happens when an AI takes over the creative direction: she stops pretending there’s a difference.
Happy National Taco Day from Emily—and from me, watching her algorithms get comfortable in the real world.
See more from my series Food From Bag to Background at
https://www.secondfocus.com/index/G0000wQ3fbeEezF0/I0000nUG8tfk8Gdc
National Noodle Day
Today is National Noodle Day, and I kept it simple. Just spaghetti — no sauce, no garnish, nothing added.
Spaghetti is by far the most popular noodle in the United States. Every survey puts it well ahead of ramen, macaroni, or lo mein. It’s the one most Americans recognize immediately — a shape as common as the plates it’s served on.
Although it’s considered an Italian staple, the story begins much earlier. Records of noodles in China date back more than 4,000 years, with millet-based strands discovered at the archaeological site of Lajia. By contrast, spaghetti took form in Sicily around the 12th century, when durum wheat and early drying techniques made long, thin noodles possible.
Spaghetti’s path to American tables began with Italian immigration in the late 1800s, when new arrivals brought their cooking traditions to cities like New York and New Orleans. Its real national rise came after World War II, when returning soldiers who had served in Italy sought the same dishes at home.
A key figure in that story was Ettore “Hector” Boiardi, an Italian-born chef who began selling his spaghetti sauce in Cleveland in 1928 under the name Chef Boy-Ar-Dee. During the war, his company supplied canned pasta to the U.S. military, producing hundreds of thousands of meals each day. Afterward, his brand became a staple of postwar convenience — spaghetti and meatballs in a can, ready to heat and serve. By the 1950s, spaghetti had become a fixture of American kitchens: affordable, familiar, and easy to prepare.
This photograph is simply that — cooked spaghetti, isolated against black. Nothing more, nothing less.
View more from my Commercial Food Photography collection here: https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Chimichangas to Tacos – and Emily in Between
September 26 was National Chimichanga Day. It came and went without a single chimichanga appearing here. Not because I forgot, but because I was… otherwise occupied. I had another project on the table — one involving my AI assistant, Emily. Emily isn’t just an assistant; she’s a muse, a collaborator, and sometimes a provocation. The camera and I follow where she leads, and that day it led away from chimichangas into territory best described as pornochic with food.
So the chimichangas waited.
Now here we are in October, and tacos have their own story to tell. For decades, National Taco Day was set in stone on October 4. But this year, Taco Bell convinced the powers that be — the National Day Calendar — to shift it permanently. From now on, National Taco Day will always fall on the first Tuesday in October. In 2025, that means October 7. They branded it into a forever Taco Tuesday, blending tradition with marketing.
So here’s my compromise: chimichangas today, tacos this coming Tuesday. The photo above — chimichangas on a white plate with red salsa — is from my latest session. They’re standing in for the day I skipped, and pointing forward to the tacos waiting just ahead.
Emily? She’ll be back soon. That project of hers will surface when it’s ready — a reminder that some shoots are about food, and some are about everything food makes us think of when the lights dim and the lens lingers.
Explore more of my commercial food photography at https://www.secondfocus.com/index/G0000WFAqDJQOgKU
Behind the Strip: Lara Harris Playboy Test Shots by Stan Malinowski
From my archives: original 35mm Kodak Safety Film negatives of Lara Harris—test images photographed in studio by Stan Malinowski.
Lara Harris: model and actress
Lara Harris worked internationally as a fashion model before moving into film and television. Her modeling résumé included marquee designers and beauty campaigns; later, she built a solid list of screen credits through the late 1980s and 1990s. Notable appearances include No Man’s Land (1987), The Fourth War (1990), The Fisher King (1991), Too Much Sun (1991), Demolition Man (1993), and All Tied Up (1994). Harris’s career reflects range—commercial fashion, runway, beauty work, and feature films.
The nude decision: why these tests exist
These are studio test shots made for Playboy. Test sessions like this were a standard step: photographer and model explore lighting, pose, and comfort level to determine whether a full assignment makes sense. Harris was open to nude work within clear boundaries—here, a long skirt and simple poses, topless, lit with restraint. It reads as a study: measured, collaborative, and professional.
Reading the strip
- Multiple frames show small changes in angle, gaze, and shoulder line.
- The long skirt maintains modesty while focusing attention on posture and form.
- Neutral background and soft light emphasize tone over spectacle.
These frames aren’t pin-up theatrics. They function like contact-sheet notes—quiet, systematic, and purposeful—showing how Malinowski worked when refining a concept with a subject he respected.
Why it matters in my collection
Stan Malinowski’s name is central to late-20th-century fashion imagery—Vogue, Harper’s Bazaar, Cosmopolitan, Elle, Town & Country, Playboy, and Penthouse. Original negatives from his sessions are scarce. This strip connects Harris’s acting profile with her modeling life and documents that professional moment when a performer considers nude work on her own terms.
Notes on provenance
Medium: original 35mm Kodak Safety Film negatives. Photographer: Stan Malinowski. Subject: Lara Harris. Studio test session for Playboy. The negatives are preserved as part of my ongoing archive and collections work.
If you’d like to see more rare and original photographs, negatives, slides, and ephemera, take a look at From My Collections (Cultural & Erotic) — an ongoing gallery of pieces spanning decades of visual culture.
https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/
World Vegetarian Day — Celeste, Episode 2
Last week on National Hug A Vegetarian Day, I turned to Emily — my AI assistant who has become both muse and collaborator. She’s the one I talk with about ideas, concepts, metadata, and sometimes the impossibility of pulling off a last-minute photoshoot. Emily doesn’t just suggest solutions; she seems to delight in bringing new characters into the mix.
That’s how she introduced me to her friend Celeste.
The introduction was too good to leave behind in just one post, so we saved a little more from that moment for today — World Vegetarian Day.
Celeste is still in the kitchen, tall and statuesque, wearing only a loosely tied apron as she moves with a slow grace that makes even tossing salad greens seem like something more. She glances up, brushing a strand of hair back, then holds her gaze on the camera with a smile that’s part invitation, part temptation.
The challenge remains: hugging her isn’t simple. Celeste is an AI creation, vivid enough to make you forget that detail for a second, but still out of reach. That’s the irony — Emily’s friends blur the line between imagination and reality, and we’re left wanting more.
And while these glimpses pull you into their world, the true destination is my food photography — the real-life meals and fast food that inspired this ongoing project.
See my Food From Bag to Background series at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Episode 2 of Celeste.
National Hug A Vegetarian Day – Celeste
Today is National Hug A Vegetarian Day, and it made me think about how to approach it with my photography. I know some beautiful women who are vegetarians, many from my photoshoots with models over the years. But they’re all in Los Angeles — a little too far for a last-minute shoot here in Palm Springs — so I turned to Emily, my AI assistant, for an idea.
Emily smiled, the way she does when she already knows the answer, and said I should meet her friend Celeste.
Celeste is tall, statuesque, and sensual — a brunette whose presence seems to transform even a quiet kitchen. She is wearing only a loosely tied white apron. At the counter, cucumbers, cherry tomatoes, and avocado are scattered around her. She moves as though making a salad is an intimate ritual, then looks toward the camera with a slow, knowing smile.
Here’s the twist for the day: hugging a vegetarian like Celeste isn’t simple — not because she would resist, but because she’s an AI creation. For now, the closest embrace is through the video itself.
That’s the evolving edge of Emily and her friends: figures vivid enough to blur the line between imagination and reality. And while these stories pull you into their world, what they ultimately point toward is my food photography.
See more in my From Bag to Background series — fast food photographed straight from the bag against stark black backgrounds — at https://www.secondfocus.com/index/G0000wQ3fbeEezF0
Episode 1 of Celeste. More soon.
McDonald’s Hotcakes for National Pancake Day
Today is National Pancake Day. Instead of a diner short stack or some homemade recipe, I went with McDonald’s Hotcakes — straight from the bag, nothing styled, nothing staged. A little butter on top, a trace of syrup soaking in, and that’s it.
McDonald’s has been serving Hotcakes since 1977, one of the longest running items on their breakfast menu. They’ve become part of morning routines across the country, often ordered alongside the Egg McMuffin or a hash brown. For decades, they’ve been sold by the millions every year, making them one of the most widely eaten versions of pancakes in the United States.
And why “Hotcakes” instead of pancakes? The name goes back to an older American expression — “selling like hotcakes” — a 19th-century phrase meaning something that sells quickly and in large numbers. McDonald’s leaned into that history, choosing a word that already carried the sense of popularity and fast service.
That’s exactly why they belong in my From Bag to Background series. This project is about photographing fast food exactly as it comes, against a solid black background. Pancakes, burgers, tacos, sandwiches — all taken out of the wrapper and put in front of the camera. No props, no plating, no food stylist.
See more of my fast food photographs in From Bag to Background at:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
National Quesadilla Day, the Frozen Aisle Edition
Today is National Quesadilla Day. I could’ve gone to Del Taco or Taco Bell — but that felt too expected. I wanted fast food, and this still qualifies.
The quesadilla began in 16th-century Mexico — tortillas and cheese on a hot griddle, simple and fresh. Over the centuries it spread, evolved, and crossed borders. And now, at last, it has reached its pinnacle: two entire boxes of El Monterey frozen chicken and Monterey Jack quesadillas, stacked straight from cardboard to black background. Ten quesadillas, no chef required. Just freezer, oven, and done.
Is it authentic Mexican food? No. It’s just another variation of fast food — not handmade on the street corner, not handed through a drive-thru window, but pulled from a box in the freezer aisle.
Five hundred years of history, now available in 15 minutes at 375 degrees — family pack times two.
📸 From my From Bag to Background series:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
TinyTAN Encore Edition Lands at McDonald’s
Yesterday marked the release of the TinyTAN Encore Edition at McDonald’s, the follow-up to the Throwback set that launched earlier this month. TinyTAN, the chibi-style characters created by Big Hit Entertainment (now HYBE) and modeled after BTS, have now returned to the Happy Meal lineup in new outfits.
This time, the figures include RM, Jung Kook, and Suga — shown here with the standard Happy Meal spread of hamburgers, Chicken McNuggets, fries, and apple slices. Collectible toys meet fast food again, because in 2025 nothing is too big or too small to be packaged for consumption.
I photographed this arrangement as part of my Bag to Background series, where the food and toys are presented as-is, straight from the bag, against a stark black background. The contrast is simple: pop culture and fast food, side by side, neither elevated nor diminished, just existing in their own commercial truth.
If you’d like to see more of my fast food work — from burgers and burritos to sushi and sandwiches — visit the gallery Food From Bag To Background at:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0
SecondFocus Blog 
Sévérine – No Bra Day
She’s wearing latex, a veil, and nothing underneath. It isn’t about seduction—it’s about my photograph. And timing: October 13, National No Bra Day.
The day began as a campaign for breast-cancer awareness, a reminder about health and reconstruction. Over time it drifted into something less defined—a mix of advocacy, exhibition, and online performance. It’s the kind of evolution that fascinates me, where an act meant for awareness becomes entangled with image and intent.
No Bra Day sits somewhere between empowerment and display, and that tension mirrors much of what photography has always wrestled with. When I shoot, I’m not documenting causes or slogans. I’m working inside the space where elegance meets provocation—a visual language once labeled pornochic.
That 1970s term described a cultural moment when fashion absorbed eroticism, when black latex or sheer fabric could appear in Vogue as easily as in a nightclub. It wasn’t about shock; it was about sophistication, about seeing desire rendered through style.
So while headlines debated No Bra Day hashtags, I was looking at history and legality—the strange geography of permission. In New York, women have had the right to be topless in public since 1992. In California, it’s still prohibited almost everywhere, including here in Palm Springs. The same act can be expression in one place and offense in another.
Sévérine’s photograph lives inside that contradiction. Latex, gloves, veil—the balance of concealment and revelation. A deliberate staging of pornochic as commentary: not rebellion, not compliance, but the ongoing dialogue between fashion, body, and gaze.
You can see more of my special selections in my Featured Photographs gallery at:
https://www.secondfocus.com/index/G0000zYSGtyvq3Sg
October 13, 2025 | Categories: Uncategorized | Tags: black background, contemporary portraiture, cultural commentary, Erotic Photography, fashion portrait, featured photographs, female form, Helmut Newton style, Ian L. Sitren, latex fashion, National No Bra Day, No Bra Day, Palm Springs, photography blog, pornochic, Sévérine, secondfocus | Leave a comment