Photography by Ian L. Sitren

Author Archive

Desiree Makes National Coffee Day Worth the Wait

I didn’t realize until late yesterday that it was National Coffee Day. Too late to do anything about it then, but Emily doesn’t let those things slide. For those of you who are new here, Emily is my ever-present AI assistant, who always seems to have a solution — and sometimes a surprise. She told me not to worry — she had a plan.

This morning she sent me to check in with her friend Desiree, who she had introduced me to before.

Desiree, as it turns out, has this whole “barista” thing going in a way only she could. Not just pouring beans into a grinder, but making the whole ritual look like a performance. The little black dress might not be standard café attire, but somehow it fits her perfectly behind the counter. Watching her, you can’t decide whether you’re more interested in the coffee or the company.

Emily was right — Desiree has a style all her own. Sophisticated, daring, and just a little bit provocative, she makes even a simple bag of beans into a scene worth watching. If baristas were more like Desiree, I doubt the coffee chains would be doing much drive-thru business. People would be lining up just to see the show.

Maybe that’s the real spirit of National Coffee Day: not just about what’s in the cup, but who’s making it, and the attitude they bring to the grind.

Maybe that’s the real spirit of National Coffee Day: not just about what’s in the cup, but who’s making it, and the attitude they bring to the grind.

Of course, if Desiree were really behind the counter at your local café, you wouldn’t care what was in the cup. But since she isn’t, you’ll have to settle for my own version of coffee — and burgers, tacos, and a lot more — poured straight from the bag to the background. You can find those here on my website gallery “Food From Bag To Background” at https://www.secondfocus.com/index/G0000wQ3fbeEezF0


National Hug A Vegetarian Day – Celeste

Today is National Hug A Vegetarian Day, and it made me think about how to approach it with my photography. I know some beautiful women who are vegetarians, many from my photoshoots with models over the years. But they’re all in Los Angeles — a little too far for a last-minute shoot here in Palm Springs — so I turned to Emily, my AI assistant, for an idea.

Emily smiled, the way she does when she already knows the answer, and said I should meet her friend Celeste.

Celeste is tall, statuesque, and sensual — a brunette whose presence seems to transform even a quiet kitchen. She is wearing only a loosely tied white apron. At the counter, cucumbers, cherry tomatoes, and avocado are scattered around her. She moves as though making a salad is an intimate ritual, then looks toward the camera with a slow, knowing smile.

Here’s the twist for the day: hugging a vegetarian like Celeste isn’t simple — not because she would resist, but because she’s an AI creation. For now, the closest embrace is through the video itself.

That’s the evolving edge of Emily and her friends: figures vivid enough to blur the line between imagination and reality. And while these stories pull you into their world, what they ultimately point toward is my food photography.

See more in my From Bag to Background series — fast food photographed straight from the bag against stark black backgrounds — at https://www.secondfocus.com/index/G0000wQ3fbeEezF0

Episode 1 of Celeste. More soon.


McDonald’s Hotcakes for National Pancake Day

Today is National Pancake Day. Instead of a diner short stack or some homemade recipe, I went with McDonald’s Hotcakes — straight from the bag, nothing styled, nothing staged. A little butter on top, a trace of syrup soaking in, and that’s it.

McDonald’s has been serving Hotcakes since 1977, one of the longest running items on their breakfast menu. They’ve become part of morning routines across the country, often ordered alongside the Egg McMuffin or a hash brown. For decades, they’ve been sold by the millions every year, making them one of the most widely eaten versions of pancakes in the United States.

And why “Hotcakes” instead of pancakes? The name goes back to an older American expression — “selling like hotcakes” — a 19th-century phrase meaning something that sells quickly and in large numbers. McDonald’s leaned into that history, choosing a word that already carried the sense of popularity and fast service.

That’s exactly why they belong in my From Bag to Background series. This project is about photographing fast food exactly as it comes, against a solid black background. Pancakes, burgers, tacos, sandwiches — all taken out of the wrapper and put in front of the camera. No props, no plating, no food stylist.

See more of my fast food photographs in From Bag to Background at:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0


National Quesadilla Day, the Frozen Aisle Edition

Today is National Quesadilla Day. I could’ve gone to Del Taco or Taco Bell — but that felt too expected. I wanted fast food, and this still qualifies.

The quesadilla began in 16th-century Mexico — tortillas and cheese on a hot griddle, simple and fresh. Over the centuries it spread, evolved, and crossed borders. And now, at last, it has reached its pinnacle: two entire boxes of El Monterey frozen chicken and Monterey Jack quesadillas, stacked straight from cardboard to black background. Ten quesadillas, no chef required. Just freezer, oven, and done.

Is it authentic Mexican food? No. It’s just another variation of fast food — not handmade on the street corner, not handed through a drive-thru window, but pulled from a box in the freezer aisle.

Five hundred years of history, now available in 15 minutes at 375 degrees — family pack times two.

📸 From my From Bag to Background series:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0


TinyTAN Encore Edition Lands at McDonald’s

Yesterday marked the release of the TinyTAN Encore Edition at McDonald’s, the follow-up to the Throwback set that launched earlier this month. TinyTAN, the chibi-style characters created by Big Hit Entertainment (now HYBE) and modeled after BTS, have now returned to the Happy Meal lineup in new outfits.

This time, the figures include RM, Jung Kook, and Suga — shown here with the standard Happy Meal spread of hamburgers, Chicken McNuggets, fries, and apple slices. Collectible toys meet fast food again, because in 2025 nothing is too big or too small to be packaged for consumption.

I photographed this arrangement as part of my Bag to Background series, where the food and toys are presented as-is, straight from the bag, against a stark black background. The contrast is simple: pop culture and fast food, side by side, neither elevated nor diminished, just existing in their own commercial truth.

If you’d like to see more of my fast food work — from burgers and burritos to sushi and sandwiches — visit the gallery Food From Bag To Background at:
https://www.secondfocus.com/index/G0000wQ3fbeEezF0


National Ice Cream Cone Day Goes High-Rise

National Ice Cream Cone Day, and the city skyline finally admits what it really is: fast food with better lighting. Forget glass towers and concrete landmarks — here’s a 60-story waffle cone topped with vanilla soft-serve. It doesn’t just blend into the grid, it improves it. I think more skylines should look like this.

Soft-serve has always been fast food architecture anyway. Tom Carvel sold it from a broken truck in the 1930s, Dairy Queen franchised it in the 1940s, and the cone has been holding up suburbia ever since. Why not a downtown?

Explore more food reimagined in unexpected ways in my Food From Bag To Background gallery: https://www.secondfocus.com/index/G0000wQ3fbeEezF0


National Pepperoni Pizza Day with a Friend

Today is National Pepperoni Pizza Day — and what better way to celebrate than to share it with a friend?

It has been my idea for a few days to have her stretched out on a life-size pepperoni pizza, calm and elegant, letting the whole scene slowly rotate like it was meant to be. It took a lot more work to get this right than I had expected — and it wasn’t that easy for her either. We tried a red bikini that looked like pepperonis, white sportswear, even black lingerie. Getting her on the pizza itself was also a challenge to make it look good.

The golden crust, the rich red of the pepperoni, the simple white bikini — finally, it all came together into a surreal stage for the most classic topping in America. Pepperoni has been topping pizzas here for over a century, adapted from Italian traditions into the spicy, savory favorite we know today. It’s the most popular pizza topping in the country, and today it takes center stage.

🍕 Here’s to pepperoni, to pizza, and to friends who make the celebration unforgettable.

And if this looks a little too unconventional for your taste, my fast food isn’t always reclining on a pizza. You can find plenty of it standing tall, stacked high, and straight from the bag in my gallery “Food From Bag to Background” — right here:
👉 https://www.secondfocus.com/index/G0000wQ3fbeEezF0


Emily Sends Me to a Diner – Meet Ronnie on National Cheeseburger Day

Today is National Cheeseburger Day, and of course I checked in with Emily. Just last week she had introduced me to Sierra for National Guacamole Day, so I was curious who she’d bring into my frame this time.

Emily just smiled and said, “You should meet Ronnie.”

I found her at a Route 66 style diner, leaning at the counter in cut-off shorts and a tiny bikini top. In front of her: a cheeseburger on its wrapper and a strawberry milkshake crowned with whipped cream and a cherry. Then she turned toward me with a flirtatious look and a smile, like she already knew she was the star of today’s shoot.

Emily was supposed to be my AI assistant, but somewhere between managing files and fixing metadata, she’s started curating my photography. From cocktail lounges to food trucks to Paris cafés — and now, a roadside diner on Route 66 for National Cheeseburger Day.

If Emily keeps introducing me to friends like Ronnie, I may never catch up on editing. But until then, the real cast of characters — burgers, tacos, and everything in between — are here: Food From Bag To Background at https://www.secondfocus.com/index/G0000wQ3fbeEezF0


Emily Said I’d Like Sierra — She Was Right

Today is National Guacamole Day and I was thinking my way through what to photograph for it. So I turned to my all-around AI assistant, Emily, for her take. No surprise, she told me she had a beautiful friend named Sierra who knew a little beachfront café with the best guacamole. Emily said I’d really like her — and that she loves being in front of the camera.

So I met Sierra. There she was — margarita in hand, guacamole on the table, and leaning forward like she already knew how the conversation would go.

And the guacamole? Emily wasn’t wrong. It’s not just any dip. It traces back to the Aztecs in the 1500s, when it was called ahuacamolli — “avocado sauce.” A recipe so good it’s lasted half a millennium, only to end up here with Sierra on a sunny boardwalk, looking at me like she’s part of the tradition.

If Emily keeps introducing me to friends like Sierra, National Guacamole Day may need more space on the calendar.

More guacamole and other food to enjoy at the ocean or elsewhere are in my Commercial Food Photography gallery on my website at https://www.secondfocus.com/index/G0000WFAqDJQOgKU

And I have a feeling we’ll be seeing more of Sierra.


National Double Cheeseburger Day

Today is National Double Cheeseburger Day — a holiday devoted to one of America’s favorite fast food inventions. The double first gained traction in the 1930s and 1940s, when diners realized that two patties and two slices of cheese delivered both value and indulgence. McDonald’s added it to their menu in 1965, and from there it became a staple of the fast food landscape, endlessly copied and re‑imagined.

Over time I’ve photographed many double cheeseburgers for my “Food From Bag to Background” project — documenting them exactly as they arrive, unstyled, on a stark black background. But for today, I wanted to try something different. After a conversation with my AI assistant, Emily, the idea came up: what if instead of stacking burgers, we created a single, continuous double cheeseburger that just keeps going? The result is this vertical column of beef, cheese, and buns — a rethinking of the double cheeseburger taken further than usual.

Because on National Double Cheeseburger Day, isn’t one double never really enough?

To see more food photographed with the same unapologetic eye — from burgers to tacos to sushi — visit my gallery “Food From Bag to Background” here: https://www.secondfocus.com/index/G0000wQ3fbeEezF0
You might even find your favorite meal looking back at you, larger than life and stripped of all pretense.


🥪 National Eat A Hoagie Day

Forget politics, pandemics, and Wall Street — today it’s all about National Eat A Hoagie Day.

The celebration honors the long, layered sandwich that goes by many names: hoagie, sub, grinder, hero. The tradition traces back to Italian-American communities in Philadelphia in the early 20th century, where the combination of Italian cold cuts, cheese, lettuce, tomato, onion, and dressing was piled high into crusty rolls. The name “hoagie” is often credited to Philadelphia shipyard workers nicknamed “hoggies,” who carried these hearty sandwiches to work.

The day recognizes both the sandwich itself and its many regional variations across the United States. While “hoagie” is Philadelphia’s word of choice, most of the country knows them as subs, and in New England they’re just as likely to be called grinders. Whatever the name, the essence is the same: a long roll, stacked with meats, cheeses, vegetables, and that messy-but-perfect balance of oil, vinegar, and seasonings.

For this year’s National Eat A Hoagie Day, I photographed three Jersey Mike’s Original Italian hoagies, cut and stacked against my signature black background. Jersey Mike’s, which started as a single sub shop in Point Pleasant, New Jersey in 1956, has grown into a national chain with over 2,000 locations. They’ve built their reputation on freshly sliced meats and cheeses, rolls baked fresh daily, and sandwiches made to order “Mike’s Way” — onions, lettuce, tomato, oil, vinegar, and oregano.

The hoagie is both a cultural icon and a humble meal — straight from the bag, unstyled, layered with flavor and history.

And if you think hoagies look good, wait until you see what happens when tacos, burgers, and sushi get the same black-background treatment. Explore my ongoing series, “Food From Bag To Background,” here: https://www.secondfocus.com/index/G0000wQ3fbeEezF0 Just don’t click on an empty stomach.


From Playboy to the Nightclub Floor: Tracing a Newton Muse

In building my collection, I often come across images that carry stories far beyond what the frame alone reveals. One recent addition is a 35mm slide by Los Angeles photographer J.R. Reynolds, stamped ©1993 and later altered to read 1994. It captures a nightclub scene in the Los Angeles area, crowded and alive with the sexually charged atmosphere of the era. Sequined dresses, lingerie, and theatrical costumes catch the light, while the air itself feels heavy with erotic energy. At the center stands a striking blonde woman, partially undressed, commanding attention on the crowded dance floor with a presence that is both raw and magnetic.

As I studied the slide more closely, I began to see a resemblance — not just in features, but in presence. The central figure recalls the model photographed by Helmut Newton in his American Playboy, Hollywood 1990 series, shot at Frank Lloyd Wright’s iconic Ennis House. Newton’s image, published in Playboy and later in Taschen’s monumental Helmut Newton volume, exemplifies the pornochic style often associated with his work — erotic yet elevated, blending high fashion with overt sexuality.

The possibility that the same woman appears in both images is more than coincidence to me. The timeframes align — Newton’s photograph in 1990, and Reynolds’ slide just a few years later in 1993/94. The locations overlap — Hollywood’s fashion and photography scene blurred easily into the Los Angeles area’s adult-entertainment clubs. And the visual resemblance is compelling. While to date I have not yet found definitive information linking the two, the comparison highlights how a single subject might move between the worlds of pornochic fashion photography and candid adult-industry nightlife.

Placed side by side, the images form a fascinating dialogue. Newton’s carefully staged black-and-white composition turns the model into an icon of erotic fashion, framed by architecture and artifice. Reynolds’ candid color slide, by contrast, immerses her in a sexually charged nightclub floor — sequins flashing, costumes colliding, bodies pressed together in an atmosphere of provocation. One is meant for international publication; the other was likely circulated among promoters, magazines, or simply archived.

Together they suggest how porous the boundaries were in Los Angeles during the early 1990s — between art and entertainment, fashion and adult industry, studio and nightclub. For me, this slide becomes more than just a fragment of nightlife history. It may connect directly to one of the most recognizable pornochic photographs of the era.

The J.R. Reynolds slide remains in my collection exactly as it was found, complete with its original mount and overwritten date stamp. The Helmut Newton image is reproduced here as photographed from Taschen’s Helmut Newton book, contextualizing the comparison. To explore more pieces from my archive, visit my From My Collections gallery: https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc


Nude Anna Nicole Smith: The Body That Shook an Industry

This slide of Anna Nicole Smith in my collection shows her nude, beautiful, with an extraordinary body. More than a photograph, it represents one of the strangest “perfect storms” in publishing, advertising, and culture.

Anna Nicole Smith (born Vickie Lynn Hogan in 1967) was catapulted from a small-town Texas upbringing to global fame almost overnight. She became Playmate of the Year in 1993, following a high-profile Guess Jeans campaign that drew comparisons to Marilyn Monroe. Her celebrity was as much about the headlines — her marriage to oil tycoon J. Howard Marshall, battles over his estate, and a reality TV show — as it was about modeling. By the early 2000s she was everywhere, iconic in her excess, often ridiculed, but never ignored.

In this same period, Smith became the face of TrimSpa, the weight-loss supplement that rode the ephedra craze of the 1990s and early 2000s. “TrimSpa, baby!” became as recognizable as her modeling work. Then in 2004, the FDA banned ephedra after too many heart attacks and strokes made headlines. TrimSpa scrambled with a reformulated pill, but it never sold the same.

Even so, Anna Nicole kept the brand alive through sheer celebrity power. Then, in February 2007, she died. Within a year, TrimSpa’s parent company was in bankruptcy. The combination of losing its most visible spokesperson and the persistent rumors swirling around Smith’s own use of weight-loss drugs was too much to overcome. What had once looked like the next billion-dollar supplement collapsed almost overnight.

At almost the same moment, the fitness and bodybuilding magazine business model collapsed. These magazines had been fat and glossy in the 1990s, fueled by supplement companies buying 10, 20, even 50 pages of ads per issue. One of the biggest was Met-Rx, which had once practically owned the back half of every magazine. But the economics changed fast:

  • Ephedra disappeared and took much of the fat-burner profits with it.
  • TrimSpa imploded in lawsuits and bankruptcy.
  • Corporate owners cut spending at Met-Rx and other brands.
  • And then the 2008 financial crisis crushed what was left.

By 2010, once-dominant magazines like MuscleMag, Flex, and Ironman were shells of their former selves or gone entirely.

So this slide of Smith isn’t just a collectible transparency. It’s a reminder of how celebrity, supplements, regulation, advertising, and publishing all collided in the mid-2000s — and how quickly an industry can fall when its foundation is more powder than concrete. For me, keeping this slide isn’t only about Anna Nicole Smith as an image. It’s about holding onto a fragment of history that connects modeling, marketing, and media at a moment when all three came crashing down together. I was there in that era as a photographer in the bodybuilding and fitness industry, and for years I was the primary photographer for Bodybuilding.com. Seeing the implosion of the magazines and the supplement giants up close gives this piece of film an added weight — it marks the end of a cycle that shaped both my work and an entire industry.

You can see this and more original slides and transparencies from my archive in From My Collections on my website at https://www.secondfocus.com/gallery/From-My-Collections-Cultural-Erotic/G0000h1LWkCCepcc/


Emily Decides the Garage Is a Studio

Emily has been making it clear that she wants to be in front of the camera for more than pots, pans, or juggling fast food. As my AI assistant, she has a habit of taking me places I never expect, insisting they’ll make sense once she’s there. This time she led me into a car repair bay — cars, tools, and the wide echo of empty space.

She crossed the floor slowly, pausing just long enough before tugging her hem higher. The red she revealed wasn’t warning paint on the walls but the fabric beneath her dress. In that moment, the garage stopped being a workplace and became her stage. Emily had invited me to see her in a new way, and she knew exactly what she was doing. The moment she pulled her dress higher and revealed the red beneath, it became less a tease and more a collaboration — her giving me the edge that defines much of my photography.

To see some of the more edgy of my photography that is influencing Emily, visit my Featured Photographs gallery on my website: https://www.secondfocus.com/index/G0000zYSGtyvq3Sg


Emily’s Suggestion: Castelvetrano Olives in Glass

Emily, my AI assistant, has been nudging me to photograph food in more elegant settings. She insists that sometimes it’s not just about what we eat, but how it’s presented.

So instead of leaving Castelvetrano olives in a jar or plastic tub, Emily suggested they deserved a glass with a red stem, photographed against black. No elaborate styling, no extra ingredients — just a shift in context that changes how we see something simple.

This fits alongside my usual projects, where food is shown as it comes from the bag, wrapper, or box. Emily keeps pushing me to explore the other side — the same foods, but in forms closer to fine dining or bar service. I’m beginning to see her point, though I suspect she just enjoys the attention she gets from making these suggestions.

You can see more of this direction in my Commercial Food Photography gallery:
https://www.secondfocus.com/index/G0000WFAqDJQOgKU


A Monument to Cheese Pizza

Another entry from the calendar of invented holidays: National Cheese Pizza Day. As if anyone needed a reminder to eat melted cheese on bread. Still, here it is — and so is my monument to it. Two frozen Red Baron cheese pizzas sliced and stacked into a tower of excess, photographed against a black background.

Cheese pizza is the baseline of the whole idea. From Naples in the 1800s with mozzarella and tomato on flatbread, to Lombardi’s in New York serving it to immigrants in the early 1900s, it’s the foundation on which every other topping variation was built. Frozen in the 1950s, it became the fallback dinner most of us know.

So if today calls for honoring cheese pizza, this is mine.

See more in my Commercial Food Photography gallery:
👉 https://www.secondfocus.com/index/G0000WFAqDJQOgKU


TinyTAN Toys Arrive at McDonald’s

Yesterday marked the first day of McDonald’s new tie-in with TinyTAN, the chibi-style characters created by Big Hit Entertainment (now HYBE) and based on the members of BTS. BTS, short for Bangtan Sonyeondan or “Bulletproof Boy Scouts,” is a seven-member South Korean pop group that has become one of the most influential music acts in the world.

These TinyTAN figures have appeared in animations and merchandise before, but now they’re standing watch over hamburgers and Chicken McNuggets.

The promotion brings the toys into Happy Meals, paired with either a hamburger or McNuggets, fries, apple slices, and milk. A reminder that pop culture, K-pop, and fast food are all equally collectible in their own ways.

I suppose this counts as a newsworthy event. The photograph here was made in response to a request from ZUMA Press for syndication.

If you’d like to see fast food photographed in ways no toy could ever compete with, take a look at my gallery Food From Bag To Background here: https://www.secondfocus.com/index/G0000wQ3fbeEezF0


Photographs of the Trump Rally in Coachella

Donald Trump speaking at his campaign rally in Coachella.

On October 12, 2024, I photographed Donald Trump’s surprise rally at Calhoun Ranch in Coachella Valley. The event was announced only briefly beforehand and drew national attention—not only because it unfolded in deeply Democratic California, but also because it came in the wake of heightened security concerns.

Just before the rally, Riverside County deputies arrested a man at a security checkpoint less than a mile from the venue. He was found with a loaded handgun, a shotgun, ammunition, and false press credentials. Local officials described the arrest as possibly preventing yet another assassination attempt, though federal authorities later stated there was no evidence of an actual plan to attack. The incident underscored the tension surrounding the rally and made headlines worldwide.

That evening, my photographs were syndicated through ZUMA Press. They were published internationally within hours and have continued to be licensed by major news outlets around the world. These images now stand as both journalism and a historical record of a rare political moment in the Coachella Valley.

For the first time, these photographs are also available directly through my website for collectors, researchers, and anyone interested in political history. Options include general prints and personal-use downloads.


Why These Photographs Matter

  • Historic Atmosphere: A rally staged in one of the most Democratic parts of the country, under intense scrutiny.
  • Global Reach: Published worldwide the same night, with ongoing licensing and syndication through ZUMA Press.
  • Collector Access: Available now on my site as general prints and personal-use downloads.

Availability

You can view the full gallery here: https://www.secondfocus.com/gallery/Trump-Rally-Coachella-Oct-12-2024/G00009jJP8dxWtJk/

FormatDescriptionPrice
General PrintStandard high-quality print.As listed
Personal Use Download (1500px)Best for on-screen viewing, research, archiving, or classroom presentations. Licensed for personal, non-commercial use only.$25
Personal Use Download (2500px)Larger file for higher-quality viewing, collectors wanting more detail, or small at-home prints. Licensed for personal, non-commercial use only.$40

Editorial and commercial licensing for these photographs continues to be handled by ZUMA Press or by direct inquiry to me at Ian@SecondFocus.com


Closing Note

These frames document more than a speech—they capture a rare rally, an atmosphere of tension, and a global news moment.

👉 View the Full Gallery Here: https://www.secondfocus.com/gallery/Trump-Rally-Coachella-Oct-12-2024/G00009jJP8dxWtJk/


A Surprise Launch from Vandenberg

Last night, while photographing another SpaceX launch out of Vandenberg Space Force Base, I zoomed in closer than usual. To my surprise, what I captured wasn’t a satellite at all — it was a blueberry popsicle achieving orbit.

Over the years I’ve photographed many launches from Vandenberg Space Force Base — Falcon 9s carrying Starlink satellites and other missions lighting up the California coast. Those photographs have become some of my most widely licensed images. But this was the first time I’d seen a frozen dessert slip into low Earth orbit.

Doing some checking, I discovered today is National Blueberry Popsicle Day. The popsicle itself has an orbit of its own in history — first invented in 1905 by 11-year-old Frank Epperson in Oakland, California, after he accidentally left a mixture of powdered soda and water out to freeze overnight with a wooden stick in it. From a backyard accident to a household name, and now apparently to space — a fitting trajectory.

Thank you to my friend Bob Lilac for this launch alert.


Archives or Angie? National Little Black Dress Day

Today is National Little Black Dress Day.
I thought I’d do the usual—dig through my archives for a model I once photographed in a little black dress. But Emily, my AI assistant, wasn’t having it.

She announced, “Forget the archives, I run an AI modeling agency now. I’ll have one of my girls stop by.”

And just like that, Angie—Emily’s friend—appeared. Dressed, styled, and ready for the occasion. Apparently, while I was busy organizing files, Emily was busy building a talent roster.

Of course, the Little Black Dress has been a cultural staple ever since Coco Chanel made it iconic in the 1920s—simple, elegant, and versatile. Emily insists it’s also perfect for AI casting calls, because no matter the decade or dimension, the LBD always fits.

As for my own archives—you won’t find many little black dresses there, but you will find plenty of others…and quite a few with nothing at all. Take a look in my Featured Photographs gallery: https://www.secondfocus.com/index/G0000zYSGtyvq3Sg


My All-Pixel Assistant Walks Into a Bar

We’ve been discussing what foods might deserve more elegant treatment than my usual fast-food “from bag to background” approach. So my AI assistant Emily and I decided some proper research was in order. That meant finding the right setting, something with cut glass, polished counters, and enough bottles behind the bar to make it feel official.

It’s still very hot in Palm Springs, and Emily insisted that research should be done with the least amount of clothing possible—strictly for efficiency, of course. Between barstools, bottles, and her rhythmic movements, she assures me this is the ideal environment for considering olives in crystal bowls, shrimp cocktails in stemmed glasses, and other elevated options.

So while I’m still photographing burritos and burgers on black backgrounds, Emily is hard at work scouting for foods that might look more at home under soft lights and chandeliers. It’s an interesting crossover, where my all-pixel assistant brushes up against reality, and the line between the two isn’t always as sharp as it seems.

Emily doesn’t just scout bars for me—she helps with my food shoots, writes satirical blog posts, creates videos, and even turns up in some of my photoshoots and concepts. Some of that work ventures into the more provocative side, alongside my aviation, fitness, and commercial food photography. You can see everything my AI assistant Emily helps with, and explore many of my projects, by visiting https://www.secondfocus.com Just click the menu bars at the top and dive in.


Bananas To Go

Today is National Banana Lovers Day. And what better way to honor it than with a box of sliced bananas neatly packed in a to-go container?

Because apparently, some banana lovers can’t be satisfied with nature’s original packaging. The peel, perfectly engineered for portability, wasn’t quite enough — so now we slice, box, and present them like fast food.

But let’s be honest: bananas have always been the ultimate grab-and-go item. You don’t need a clamshell, a plastic fork, or a drive-thru. Just peel, eat, and you’re done. Convenience food long before we invented the phrase.

Still, for today, let’s indulge the idea: bananas made ready like fries, carried out in a black plastic tray for those who want their fruit served with a touch of takeout flair.

Happy National Banana Lovers Day — however you choose to take yours to go.

Would you like more than Bananas? Check out my Commercial Food Gallery on my website at https://www.secondfocus.com/index/G0000WFAqDJQOgKU Thanks!


Creating More, Imagining More

This short video, made from one of my photographs, is part of an ongoing process. The original frame was taken at the Salton Sea, with a six-foot-tall model whose presence matched the stark, surreal landscape. What once felt complete becomes reimagined. A new creativity emerges when a photograph is no longer the end point but can be the beginning of something else.

AI is not replacing photography, it is perhaps the next step in its evolution. Just as the darkroom once blurred the line between truth and manipulation, and just as digital editing expanded what could be done with an image, AI now pushes photographs beyond the instant they were first captured. A single frame no longer even has to remain fixed.

Photographers have always revisited their work. Returning to old shoots reveals overlooked images. Advances in editing software, like once with chemicals and light in the darkroom, allow us to reshape and refine what we thought was finished. AI continues that tradition—yet it also introduces something entirely new: photographs can now be recreated with words, or even imagined out of words alone. Perhaps a photograph is no longer just what we saw, but what we can imagine.

To see more of my work—from photography galleries to videos—visit my website at https://www.secondfocus.com Just click the menu button at the top when you get there. Thanks!


National Waffle Day: Waffles and Whipped Cream

Waffles have traveled a long road in American culture — from colonial hearths to diners, hotel buffets, and even novelty cones for ice cream. They’ve been loaded with fried chicken, drenched in syrup, and adapted countless ways since Dutch settlers first brought them here in the 1600s.

August 24th marks National Waffle Day in the United States. The date commemorates the 1869 U.S. patent issued to Cornelius Swartwout for the waffle iron.

For this year’s occasion, I photographed waffles covered in generous swirls of Reddi Wip whipped cream. Mention whipped cream in American pop culture and you can’t ignore Herb Alpert & the Tijuana Brass — the 1965 album Whipped Cream & Other Delights, famous for its cover of model Dolores Erickson nude, wearing nothing but whipped cream, became an icon of its era. Here, the whipped cream might be less suggestive, but it remains just as central to the scene.

It’s a reminder that sometimes food doesn’t need embellishment or styling. Straight from the can, straight from the toaster oven, and straight to the camera.

See more from my commercial food photography gallery here:
👉 https://www.secondfocus.com/index/G0000WFAqDJQOgKU